Listening to classic rock... were The Zombies the first ones to ever pose the question, “who’s your daddy?”

Don Walker cameras and equipment work just great even loosing one hour of sleep. Happy #DaylightSavingsTime

#AbelGearUp: Full Format is coming up in less than two weeks – featuring gear from Angenieux ARRI Canon USA Pro Sony Professional | US & Canada @Cooke_Optics RED Digital Cinema SIGMA CINE LENS, guest DP alexander hankoff, plus Community Sponsor Filmsupply! abelcine.com/learn/calendar…

Listening to the Scorpions... just realized that Matthias Jabs guitar solos on every song are the same guitar solos that every guitarist has ever wanted to play. #scorpions

Our RED Digital Cinema Monstro paired nicely with our Atlas Lens Co. anamorphic lenses. Doing some work for GM today.

Camera resolution is important. I’ve noticed the only ones who say it isn’t are the ones who prefer to use cameras that can’t shoot 5K yet. I’ll bet that changes when they begin to release the new 6K LF mini. Then the old 3.2K won’t be worth squat.

Major U.S. cities, like Los Angeles, Portland, Denver, and Atlanta may seem distant from forests, but they all receive a significant portion of their water supply from national forests. #WorldWaterDay #ForestH2O

Thank you to Oxbow Animal Health and all the people from across the country providing hay for flood relief! #NebraskaFlood | #NebraskaStrong

We are the craft of digital cinema. We have to lose our inferiority complex to film. We have the highest resolution cameras and the most dynamic range to create with. We need to embrace the tech, master it and redefine what is cinematic.

Milky Way timelapse on top of the Grosser Mythen above a sea of fog at night. Lukas Schlagenhauf said he had been waiting for a long time to get these conditions for a perfect timelapse at night. instagram.com/lukas.schlagen…

Just as chocolate bunnies like plastic grass. We like to be a part of your production.

This week Don Walker was called to gear up a shoot for the amazing charity #chadtough. Our RED Digital Cinema Monstro and Gemini paired with our SIGMA CINE LENS were the ideal combination to help capture the heartfelt interviews that will bring awareness to childhood brain cancer.

Our RED Digital Cinema Monstro and Orion Anamorphic lenses working in downtown Detroit over the weekend.

Try a RED Digital Cinema Monstro with Atlas Orion Anamorphic lenses. The camera’s resolutions from 4K-8K the lenses field of view can get wider or tighter. So much flexibility added to the focal length ranges. Once you shoot this way it will be hard to go back!

You can’t judge a camera by the monitor you view. Well... unless you like the way the manufacturer set the rec709 LUT output. If that’s what you like than maybe you can judge. It won’t be accurate or represent the capabilities of the camera, but it is what you like.

I like to repurpose non working vintage radios into working Bluetooth speakers. Here is a Trav-Ler Model 5054 circa 1947 radio that can now play content from a phone, tablet or any Bluetooth device. Nue Soul Radio on Etsy. #vintage #Bluetoothspeaker

Our RED Digital Cinema cameras and our SIGMA CINE LENS shooting a PSA with former Detroit Tiger Brandon Inge for #chadtough

Our RED Digital Cinema Monstro and our Atlas Lens Co. anamorphic lenses shooting a local spot for a window company’s 75th Anniversary.

Most would use a GoPro but that’s not how we roll. Our RED Digital Cinema Monstro and our Atlas Lens Co. anamorphic lens goodness is the work we turn in.

Our RED Digital Cinema Monstro with our @Cooke_Optics Mini S4i lenses at work shooting a commercial for a local hospital. It’s really hard to improve on this combo for the local commercial market.