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ID: 78274768
https://www.thetimes.co.uk 29-09-2009 10:47:24
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"An improbable premise and some dubious gender stereotyping are easily overcome by the British actress Sally Phillips and a buoyant sense of fun", writes kevin maher on How to Please a Woman ★★★☆☆ thetimes.co.uk/article/how-to…

"This fascinating behind-the-scenes documentary about the campaign to free Julian Assange is ultimately undone by the difficulty of its central subject", writes kevin maher on #ithaka ★★★☆☆ thetimes.co.uk/article/ithaka…


"Like a moth returning to the flame, 52 years after the original film, she is again playing Roberta, now a grandmother in The Railway Children Return," writes Alex O'Connell on interviewing #JennyAgutter on her reprised role as Roberta Waterbury thetimes.co.uk/article/jenny-…


"No chance of singing along in Rossini’s La donna del lago, it requires four of the main characters to deliver something like 16 notes a second for long stretches", writes Richard Morrison on La donna del lago Buxton International Festival plus a review on Gypsy ★★★★☆ thetimes.co.uk/article/gypsy-…

"In a flawless cast, Stephen Kennedy’s Trinculo and Gary Sefton’s Stephano supply the hearty comic interludes. All in all, it’s a pleasure to hear verse delivered with such clarity", writes Clive Davis on The Tempest Theatre Royal Bath ★★★★☆ thetimes.co.uk/article/the-te…

"Paisley-born artist Paolo Nutini was as unpredictable as #TRNSMT gets. All day, other acts claimed that they were staying on site to see him", writes Lisa Verrico on the #TRNSMT2022 festival at #GlasgowGreen ★★★★☆ thetimes.co.uk/article/trnsmt…


"Sedaris is often serious, although always undercut by humour that is unapologetically misanthropic, and always self-deprecating", writes @AllanRadcliffe on @davidsedaris live Usher Hall ★★★★☆ thetimes.co.uk/article/david-…

"Do I think Avery is a first-class artist? No, I don’t. Did I leave wide-eyed and dazzled, the way you do after a day of too much sun on the beach? I did, I did", writes Laura Freeman on the Milton Avery exhibition Royal Academy ★★★★☆ thetimes.co.uk/article/milton…

"To her core audience Jepsen is the underdog who combines pop innocence, a knowing retro sensibility and cutting edge subtlety on songs about misguided or unfulfilled love", writes Will Hodgkinson on Carly Rae Jepsen Somerset House ★★★★☆ thetimes.co.uk/article/carly-…


"Otello is one of the toughest sings in the tenor repertory, not to mention dramatically demanding. Ultimately Russell Thomas does a fine job at drawing us into the antihero’s demise", writes Rebecca Franks on Otello at the Royal Opera House ★★★☆☆ thetimes.co.uk/article/otello…

A round-up of the best new music compiled by our critics Will Hodgkinson and Blanca Schofield, including beabadoobee black midi Mabel SORRY @francislung Saint Kochi The 1975 Cardi B ye THE VOICE thetimes.co.uk/article/the-be…


"Nowadays, subtitles are no longer only for the hard of hearing; they are particularly beloved by younger hearing viewers too", writes Sharin Hussain on how #StrangerThings4's subtitles become viral on #Twitter thetimes.co.uk/article/strang…

"Throw yourself into the fray like a true devotee of fan fiction, and you may have a better time than a critic primly scribbling notes", writes Clive Davis on #PeakyBlinders: The Rise at #Camden Garrison ★★★☆☆ thetimes.co.uk/article/peaky-…

Can the Women of the World help make Rotherham a place that is kinder to women and girls? Ben Dowell talks to Jude Kelly about this weekend's festival thetimes.co.uk/article/jude-k…