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Tate

@Tate

We can’t wait for you to see our newest exhibitions across our four galleries. Book tickets today. 🎟️💛

ID:5225991

linkhttp://www.tate.org.uk calendar_today19-04-2007 13:12:32

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A monster with funny teeth, that ALSO recycles? 🤓

We’re back with Tate Kids as they ask some of our youngest visitors to describe Bruce Lacey’s 1964 sculpture, ‘Boy, Oh Boy, am I Living!’

Have you seen Lacey’s sculpture? What did you think? ✨ bit.ly/3Ra6ooK

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is Fiona Rae's candy-coloured canvas, painted in 2017. 🍭

Dotted lines and arrows move about the painting, drawing our attention to the light, airy spaces in between. The painting presents us with a sense of hope and a feeling of calm.

🎨 bit.ly/3RdeKfn

#WorkOfTheWeek is Fiona Rae's candy-coloured canvas, painted in 2017. 🍭 Dotted lines and arrows move about the painting, drawing our attention to the light, airy spaces in between. The painting presents us with a sense of hope and a feeling of calm. 🎨 bit.ly/3RdeKfn
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London’s Embankment by . 🏙️

As a young artist, Turner developed a meticulous style to describe architectural features. In this unfinished watercolour, he has applied that same style to the bustling metropolis of London.

🏛️ bit.ly/3R4vGVr

London’s Embankment by #JMWTurner. 🏙️ As a young artist, Turner developed a meticulous style to describe architectural features. In this unfinished watercolour, he has applied that same style to the bustling metropolis of London. 🏛️ bit.ly/3R4vGVr
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Cuban-American artist Carmen Herrera was born in 1915. 💚

She sold her first artwork at 81 years old & had her first solo show in 2016. She painted almost every day until her death & is remembered for her ground-breaking, abstract works. bit.ly/3WULQV4

Cuban-American artist Carmen Herrera was born #OnThisDay in 1915. 💚 She sold her first artwork at 81 years old & had her first solo show in 2016. She painted almost every day until her death & is remembered for her ground-breaking, abstract works. bit.ly/3WULQV4
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Recognised as one of the most important artists of the 20th century, Walter Sickert was born 1860. 🖼️

In this 1919 still life, Sickert's agile handling of the paint suggests he painted quickly and directly in front of the Roquefort cheese.

🧀 bit.ly/4bVirOA

Recognised as one of the most important artists of the 20th century, Walter Sickert was born #OnThisDay 1860. 🖼️ In this 1919 still life, Sickert's agile handling of the paint suggests he painted quickly and directly in front of the Roquefort cheese. 🧀 bit.ly/4bVirOA
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‘I like pursuing the work up to the abstract picture without letting go of the real origin’ -

This painting carries memories of the light and colours of Lebanon where Abboud was born, a country that continued to inspire him.

🖌️ bit.ly/4aNXLHG

‘I like pursuing the work up to the abstract picture without letting go of the real origin’ - #ShaficAbboud This painting carries memories of the light and colours of Lebanon where Abboud was born, a country that continued to inspire him. 🖌️ bit.ly/4aNXLHG
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We’re excited to share our 2025 exhibition programme! 🎉

With Picasso, Leigh Bowery and Emily Kam Kngwarray at Tate Modern, and Turner & Constable at Tate Britain, it's going to be a year to remember.

❤️ Find the full programme here ➡️ bit.ly/3R5USLe

We’re excited to share our 2025 exhibition programme! 🎉 With Picasso, Leigh Bowery and Emily Kam Kngwarray at Tate Modern, and Turner & Constable at Tate Britain, it's going to be a year to remember. ❤️ Find the full programme here ➡️ bit.ly/3R5USLe
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Alive with sound and colour, be transported into the world of in our major new installation open now at Tate Britain. 💐 🧵 🎨

🏘️ Alvaro Barrington: GRACE is now open until 26 January 2025. Entry is free: bit.ly/3Vkyd04

Supported by

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Lately we’re loving escapist, period-costumed fantasy🌼

is Yinka Shonibare's The Swing (after Fragonard). It features a headless mannequin in mid-swing, wearing a lavish 18th century style dress made of bright African print fabric.

🎀 bit.ly/3MjWuzt

Lately we’re loving escapist, period-costumed fantasy🌼 #WorkOfTheWeek is Yinka Shonibare's The Swing (after Fragonard). It features a headless mannequin in mid-swing, wearing a lavish 18th century style dress made of bright African print fabric. 🎀 bit.ly/3MjWuzt
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🌧️ All this rain has us thinking about 's paintings.

Their shimmering streaks of white, red and rusty orange start to resemble blurred forms in a puddle or reflections of figures, buildings or buses through a rain-soaked window.

​🎨 bit.ly/4aCokPK

🌧️ All this rain has us thinking about #GerhardRichter's paintings. Their shimmering streaks of white, red and rusty orange start to resemble blurred forms in a puddle or reflections of figures, buildings or buses through a rain-soaked window. ​ ​🎨 bit.ly/4aCokPK
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Getting comfortable for the week ahead. 🧘

Scottish artist Bruce McLean. McLean’s ‘Pose Work for Plinths’ was originally a performance, which he repeated later to create these photographs.

🏛️ On free display at Tate Britain ➡️ bit.ly/44TDAGE

Getting comfortable for the week ahead. 🧘 #GetToKnow Scottish artist Bruce McLean. McLean’s ‘Pose Work for Plinths’ was originally a performance, which he repeated later to create these photographs. 🏛️ On free display at Tate Britain ➡️ bit.ly/44TDAGE
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is brightening our weekend. ☀️ 🌈

​Known for his vibrant, large-scale, psychedelic paintings and screenprints, German artist Jens Lausen (1937–2017) was a co-founder of the German post-war art movement 'New Landscape'.

🔴 bit.ly/3Vd662J

#JensLausen is brightening our weekend. ☀️ 🌈 ​ ​Known for his vibrant, large-scale, psychedelic paintings and screenprints, German artist Jens Lausen (1937–2017) was a co-founder of the German post-war art movement 'New Landscape'. ​ 🔴 bit.ly/3Vd662J
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A desire line appears before you... 👣

's 1967 'A Line Made by Walking' was created in a field in Wiltshire. Here he walked back and forth until the flattened turf caught the sunlight and became visible.

📷 Find out more ➡️ bit.ly/3VdHqY2

A desire line appears before you... 👣 #RichardLong's 1967 'A Line Made by Walking' was created in a field in Wiltshire. Here he walked back and forth until the flattened turf caught the sunlight and became visible. 📷 Find out more ➡️ bit.ly/3VdHqY2
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‘This gives you this kind of optimism that we need in this time.’ – Ugo Rondinone

Happy birthday Tate Liverpool! 🎈🎁 🎂 Known at the time as the ‘Tate of the North’, it opened 1988.

In this 2019 film, Swiss artist Ugo Rondinone talks about the .

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Happy Birthday to us! 🎈🎂🎁

opened on 24 May 1988. In 1985, James Stirling was commissioned to design the gallery, which was originally called 'Tate of the North'. 1/3

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Ahead of the opening of his Tate Britain commission, Alvaro Barrington talks to Michael Delgado about being inspired by Tupac and Cy Twombly, and wanting to involve communities in everything he does

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‘They are marvellous, optimistic things...' 🍃

Creeping Buttercup is one of a series of etchings in ’s portfolio Nourishment. The etchings are all meticulous, life-sized studies of individual weeds that Landy found growing in the street.

🌿 bit.ly/3ysUWye

‘They are marvellous, optimistic things...' 🍃 Creeping Buttercup is one of a series of etchings in #MichaelLandy’s portfolio Nourishment. The etchings are all meticulous, life-sized studies of individual weeds that Landy found growing in the street. 🌿 bit.ly/3ysUWye
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Got any holidays on the horizon? ☀️🌴🍦🌊

🌍 JMW Turner, Venice, for Rogers’s ‘Italy’ c.1826–7
🌍 David Bomberg, Trees in Sun, Cyprus 1948
🌍 Samuel John Lamorna Birch, St Ives, Cornwall 1938

Got any holidays on the horizon? ☀️🌴🍦🌊 🌍 JMW Turner, Venice, for Rogers’s ‘Italy’ c.1826–7 🌍 David Bomberg, Trees in Sun, Cyprus 1948 🌍 Samuel John Lamorna Birch, St Ives, Cornwall 1938
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Japanese artist Mari Katayama creates self-portraits, embroidered objects and living sculptures that challenge misconceptions about our bodies. 🧵

📷 A free display at Tate Modern showcases the last 20 years of Katayama's work: bit.ly/46UTyAu

Japanese artist Mari Katayama creates self-portraits, embroidered objects and living sculptures that challenge misconceptions about our bodies. 🧵 📷 A free display at Tate Modern showcases the last 20 years of Katayama's work: bit.ly/46UTyAu
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