#KarelAppel , a Dutch painter, sculptor, and poet, is celebrated for his expressive and colorful style. His work often delved into themes of primal energy and the subconscious, reflecting his deep interest in the instinctive nature of art.

🎨: Karel Appel, 'Two Large Heads,' 1960

#WillemDeKooning , born #OTD in 1904 in Rotterdam, was renowned for his dynamic brushwork. In the 1950s, his 'Women' series merged the human form with the aggressive paint application of Abstract Expressionism.

🎨: Willem de Kooning 'Nude Figure–Woman on the Beach,' 1963.

French Post-Impressionist #PaulCézanne rejected traditional methods of representation, favoring a deliberate and methodical approach to painting over the fluid, rapid brushwork of Impressionist painters.

🎨: Paul Cézanne, 'Bend in the Road through the Forest,' ca. 1873–75.

For #EarthDay & in partnership with Guggenheim Museum, we invite you to spend time with this new collaborative poem & video, “time bending / tongue / entwine / the betwixt,” written & performed by nickolebrown, J.P. Grasser, John James, & Ariel Francisco 🇩🇴🇬🇹.

poets.org/poem/earth-day…

Sunday Reading—artist Jenny Holzer speaks with @TMagazine about reimagining her iconic 1989 LED installation for her show at the Guggenheim opening May 17. gu.gg/44aQLm9

#JoanMiró , born #OTD in 1893, crafted whimsical and dreamlike artworks. His style fused abstract forms with playful color and line. This work, depicting his family’s farm in Catalonia, is the first example of Miró’s Surrealist vision.

🎨: Joan Miró, 'The Tilled Field,' 1923-24.

#FrankStella ’s early works react against the loose, gestural, and loaded brushstroke associated with Abstract Expressionism. This geometric painting has no underlying meaning. This work is on view @guggenheimpgc.

🎨: Frank Stella, 'Gray Scramble,' 1968-69

A little poem for #PoemInYourPocketDay courtesy of our 2024 Poet-in-Residence Meg Day.

Credit: Originally published in Poetry (June 2020). © 2020 Meg Day. By permission of the author.

#GuggenheimPoetry is made possible by Van Cleef & Arpels.

“Jenny has allowed her art to grow by embracing collaboration and new technologies, but her singularity as an artist has always persevered and her work continues to be radical.”–Kiki Smith on Jenny Holzer, included in the 2024 #TIME100 list. gu.gg/3Q6um3N

In honor of #EarthDay & in partnership with Guggenheim Museum, we’ll debut a new collaborative poem, “time bending / tongue / entwine / the betwixt,” by nickolebrown, J.P. Grasser, John James, & Ariel Francisco 🇩🇴🇬🇹, along with a video performance of the choral piece on Poets.org.

#ClaudeMonet 's cityscapes strip down to essentials, emphasizing stones, light, water, and mist in Venice. These elements interact, saturating the canvas with iridescent hues.

🎨: Claude Monet, 'The Palazzo Ducale, Seen from San Giorgio Maggiore,' 1908

Now on view @guggenheimpgc: 'Jean Cocteau: The Juggler’s Revenge,' Italy's largest retrospective dedicated to #JeanCocteau . Learn more: gu.gg/4aMWctN

📷: Philippe Halsman, 'Jean Cocteau,' 1949. © Philippe Halsman / Magnum Photos

Sunday Reading—If you've ever noticed the iconic Guggenheim Museum in films, @archdigest has the scoop on which movies feature Frank Lloyd Wright's architectural masterpieces.
architecturaldigest.com/story/frank-ll…

#MegWebster utilizes live plants that grow and decay within her installations, showcasing the timelessness and fertility of nature. 'Stick Spiral' incorporates flora native to the region and season where it is shown and has already been cut.

🌿: Meg Webster, 'Stick Spiral,' 1986

'What I love most about the building is its simplicity yet complexity at the same time. The fluid lines inside the building blew my mind.' —Today's #FrankLloydWrightFridays photographer Julian Nimke

Lise Tréhot, Renoir's model and companion, depicts a bourgeois lady in an ornate interior, reflecting 19th-century bourgeois tensions, hinting at confinement. It suggests a deeper bond with her pet bird.

🎨: Pierre-Auguste Renoir, 'Woman with Parakeet,' 1871

Chief Curator Naomi Beckwith highlights five works from our newest exhibition, #ByWayOfGuggenheim .

ocula.com/magazine/insig…

As one of the co-founders of Cubism, #GeorgesBraque shattered conventional perspectives portraying subjects from various angles, employing fragmented, geometric forms. Learn more: gu.gg/4asrcQ2

🎨: Georges Braque, 'Guitar, Glass, and Fruit Dish on Sideboard,' 1919.

Ahead of its re-premiere tonight at BAM, filmmaker, Net art pioneer, and Guggenheim Museum prizewinner Shu Lea Cheang talks to Spike about her avant-anarcho eco-satire “Fresh Kill.”

spikeartmagazine.com/articles/inter…

POV: It’s 10am and you’re the first visitor of the day 👀

#PeggyGuggenheimCollection
#Venice