This week SONCITIES postdoc Roo Bernatek presented her work on noise complaints to a wonderful groups of social-legal scholars, brought together for a workshop hosted by Oxford Centre for Socio-Legal Studies and International Journal of Law in Context ~ so great to be part of these wonderful conversations.

A throwback to Matilde’s concert at this year’s Lisboa Soa festival! Read more about Matilde’s latest release and concerts of Vanishing Points on our website. Photos by @veramarmelo

We're hugely looking forward to welcoming James Parker for his talk 'The Planetization of Machine Listening'. Monday 27 November 5.15 PM-6.30 PM St John's College, Oxford Mark Bedingham Room. The talk will be followed by a reception. All are welcome. music.ox.ac.uk/event/details-…

Together with Spatial Practices we're co-hosting a symposium, workshops, and an installation on the theme 'Quiet Urgency: Disturbing Sonic Ecologies' in London, between 5-30 June 2024. For information on these events and registration links, please visit soncities.org/events

Very excited to talk about soundscapes and wellbeing at this event next week 🌞🐦‍⬛👂🍃

Very excited and humbled to be part of this amazing line-up of #QuietUrgency symposium on June 5 at Central Saint Martins in London. Thank you #GasciaOuzounian SONCITIES and other organizers for the invitation.

Join us for the London book launch of Urban Soundscapes on Thursday 13th June. Hosted by Periscope as part of Microscope's 2024 Echolocation series. Tickets via Eventbrite link eventbrite.co.uk/e/urban-sounds…

This was absolutely riveting. Thank you maanbarua.bsky.soc and Mriganka Madhukaillya for introducing us to 'three surrounds' in relation to amphibious urbanisms.

An evolving page on Nathalie Harb's Silent Room V.04. We will update this page as the installation comes to life over the month of June at LJ Works. Here are notes on design by Nathalie Harb and notes on sound by Gerard Gormley (Being Strangers). soncities.org/current/silent…

It has been a pleasure and honour for us to collaborate with Jan St. Werner from Mouse on Mars on commissioning Vibraceptional Plate. This participatory artwork is currently on exhibit at MSU Zagreb, as part of Vibraception, curated by Ana Škegro. See🔗 shorturl.at/kJUGJ