.CNBC reports our take regarding Netflix's live sports strategy: '[Netflix's] huge content repository can help retain viewers who might have subscribed just for live sports.' - Brandon Katz hubs.ly/Q02xskgW0

We spoke with CBC on the race to secure #streaming rights for live sports, 'one of the last lines of defense when it comes to audiences paying big bucks for traditional cable packages.'
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From TheWrap: 'The share of non-exclusive TV shows [on Netflix] dropped from 14.3% of its TV catalog in 2022 Q1 to 12.6% in 2024 Q1.' Read more about Content Panorama, which provides supply data on #streaming platform catalogs. hubs.ly/Q02x779k0

Question: How does every title contribute to the unit economics of every #streaming service?

Answer is over at TheWrap where we breakdown the revenue contribution of #physical100 to Netflix's bottom line.
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Thank you to C21 Media for this writeup about #CartoonNext . We spoke about the growth of adult animation and the opportunities for more diverse and culturally relevant content, calling attention to the “shoots of positivity” in the animation sector.
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.Netflix announced they will stop sharing #subscriber numbers next year. 'While this is partially a sign of Netflix's unrivaled market share, it also raises questions about the streamer's ultimate ceiling in the current landscape,' said our own B. Katz.
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The Times of London reports on our data about Netflix's recent earnings call, citing its 'renewed funnel of licensed titles' as a means of strengthening its hold on the global #streaming market. hubs.ly/Q02vBnp30

K-content continues to capture audience attention. Deadline Hollywood reports on the international rollout of KOCOWA OFFICIAL alongside our data about the demand for Korean entertainment worldwide. hubs.ly/Q02spPz20

The Monkey Man film journey to theaters was a wild one, as reported by TheWrap, and shines a light on the strategic decisions being made by streamers seeking audiences in India.
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.TheWrap reports on the surprising figures regarding video game adaptation supply and demand: Japan is responsible for nearly 60% of video game adaptation supply, but just 28% of the domestic demand. Read on at TheWrap: hubs.ly/Q02sq3BN0

Required Reading: In our latest Parrot Perspective, Brandon Katz lays out the facts about the immense value of shows with long libraries of seasons and episodes when it comes to streaming contribution. Señal News: hubs.ly/Q02rLMJ90

🎧 Listen to julia alexander with Puck' Matt Belloni discuss Netflix live sports strategy and 'why the sports documentary market is oversaturated.' More at The Ringer: hubs.ly/Q02rLLyd0

.TheWrap reports the increase in US demand for non-anime content: 'In 2021, about 90% of U.S. demand for Japanese series was for anime. That dropped to 77% by the end of 2023.' hubs.ly/Q02rLJCF0

.HBO network content accounts for approximately 20% of the demand for Max's TV catalog, with Max originals contributing another 9%.

Check out our latest insights on the U.S. audience demand for streaming platforms' catalogs in Q4 2023! 🚀 #StreamingStats #OTT

Our data on this is clear: From an audience demand perspective across both respective content portfolios, a combined Warner Bros. - Paramount entity would have been the market leader.

Did you know? The share of network-released shows that saw their peak demand at the season finale has been around 40% over the last five years.

Analysis carried out with our Supply & Content Metadata engine has revealed that seasons are getting shorter.

We partnered with Rise Studios to showcase the changing global audience demand landscape with a particular focus on #MENA . Our findings emphasize the growing appetite for diverse Asian language content in the region.

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.Los Angeles Times on Netflix's growth with our own Brandon Katz: 'They built scale quicker than anybody else, and that scale in turn leads to a shorter road for a new original to become a hit because they have such a wider audience available to sample.'

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