K-content continues to capture audience attention. Deadline Hollywood reports on the international rollout of KOCOWA OFFICIAL alongside our data about the demand for Korean entertainment worldwide. hubs.ly/Q02spPz20

The Monkey Man film journey to theaters was a wild one, as reported by TheWrap, and shines a light on the strategic decisions being made by streamers seeking audiences in India.
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.TheWrap reports on the surprising figures regarding video game adaptation supply and demand: Japan is responsible for nearly 60% of video game adaptation supply, but just 28% of the domestic demand. Read on at TheWrap: hubs.ly/Q02sq3BN0

Required Reading: In our latest Parrot Perspective, Brandon Katz lays out the facts about the immense value of shows with long libraries of seasons and episodes when it comes to streaming contribution. Señal News: hubs.ly/Q02rLMJ90

🎧 Listen to julia alexander with Puck' Matt Belloni discuss Netflix live sports strategy and 'why the sports documentary market is oversaturated.' More at The Ringer: hubs.ly/Q02rLLyd0

.TheWrap reports the increase in US demand for non-anime content: 'In 2021, about 90% of U.S. demand for Japanese series was for anime. That dropped to 77% by the end of 2023.' hubs.ly/Q02rLJCF0

.HBO network content accounts for approximately 20% of the demand for Max's TV catalog, with Max originals contributing another 9%.

Check out our latest insights on the U.S. audience demand for streaming platforms' catalogs in Q4 2023! 🚀 #StreamingStats #OTT

Our data on this is clear: From an audience demand perspective across both respective content portfolios, a combined Warner Bros. - Paramount entity would have been the market leader.

Did you know? The share of network-released shows that saw their peak demand at the season finale has been around 40% over the last five years.

Analysis carried out with our Supply & Content Metadata engine has revealed that seasons are getting shorter.

We partnered with Rise Studios to showcase the changing global audience demand landscape with a particular focus on #MENA . Our findings emphasize the growing appetite for diverse Asian language content in the region.

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.Los Angeles Times on Netflix's growth with our own Brandon Katz: 'They built scale quicker than anybody else, and that scale in turn leads to a shorter road for a new original to become a hit because they have such a wider audience available to sample.'

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We are thrilled to announce our partnership with Telefilm Canada dedicated to supporting the Canadian audiovisual industry!

Read the full announcement: @Mediaplay News: hubs.ly/Q02nBgCD0

.The Economist reports: 'Between 2020 and 2023 global demand for Turkish shows grew by 184%, compared with 73% for Korean dramas.'

'Last year the three biggest importers of new Turkish shows were Spain, Saudi Arabia and Egypt.'

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.SkyShowtime CEO Monty Sarhan made it clear to The Hollywood Reporter which show is making an impact on their audience: 'Yellowstone, Yellowstone, Yellowstone. That is a mega-hit...It’s got 15x greater demand than the average tv series in markets like 🇪🇸, 🇵🇱 & 🇸🇪.'

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Spotlight on HBO's Max streaming strategy: 'HBO network content accounts for approximately 21% of the demand for Max’s TV catalog, with Max originals contributing another 9%.' Read the analysis at TheWrap: hubs.ly/Q02kYfGN0

.@Animaccord, the production company behind 'Masha and the Bear,' this year's winner of the Global Demand Award for Most In-Demand Children's Show, is launching a new venture: The MASHAVERSE!

Read the announcement at Associated Press: hubs.ly/Q02k-kbZ0

Narendra Reddy, CEO of the The Africa Channel, dives into how culturally specific programming can be developed with universal appeal, how global streamers are changing entertainment media and the importance of varied distribution.

▶ Watch the interview: hubs.ly/Q02krgvN0

In this conversation in the Global Demand Awards, Charlie Parsons, the creator of @SurvivorCBS and a pivotal figure in the transformation of the television medium, shares his insights.

▶ Watch this interview: hubs.ly/Q02kmbY20