"A magnificently intimate cinematic experience that satisfies as both a tragic love story and genuinely unsettling horror tale." #NYFF Review: Peter Charney (Peter Charney) on Luca Guadagnino's BONES AND ALL: bit.ly/3DgYxzl

THE BANSHEES OF INISHERIN is the most Martin McDonagh Martin McDonagh’s ever Martin McDonaghed. Feckin touché, sir.

Today is International Animation Day! I can’t think of a better way to celebrate this artistically ambitious and emotionally resonant art form (for all ages!) than by watching Henry Selick’s first film since Coraline in 2009. Wendell & Wild is out today on @NetflixFilm

Some great spooky recs from the Film Cred staff!! Can you guess my pick? 👀

Hi! I also have a TÁR review, but it’s probably not trendy because I do, in fact, know how to spell “Blanchett.” Would still love if ya gave it a read! Thanks :) rb.gy/c6qlvh

"Serves as a fundamental film examination on detaching the impact and value of a piece of art from the personal life of the artist attached to it, and whether that separation can or even should exist." #NYFF Review: Peter Charney (Peter Charney) on TÁR: bit.ly/3U8GHUF

It took Henry Selick, director of the cult classic “The Nightmare Before Christmas,” an entire THIRTEEN YEARS to get another film made after “Coraline,” just to have it immediately enter the Netflix ether. And I’m out here trying to be a director…lmfao

MICKEY: THE STORY OF A MOUSE is a comprehensive look at the cultural, political, and artistic legacy of the nearly century-old pop icon. A colorful reminder that “it was all started by a mouse.” Streaming on Disney+ Nov. 18

If you're considering deactivating, please bookmark your favorite film sites and personal blogs before you go. A lot of independent sites and aspiring film critics rely on Twitter as their only form of promoting new articles.

"In lieu of cynicism, the musical charm of [the film] cuts through the humbug with enough unbridled joy to warm even the coldest of hearts." Peter Charney (Peter Charney) reviews Apple TV+'s holiday musical, SPIRITED: bit.ly/3F7nKf2

It's the holiday season, and the boys are kicking it off with some Hot Takes to keep you warm this winter! Episode 77: Blue Christmas: An Avatar Holiday Special, is now available! 💫LINK IN BIO🚬 #avatar #jamescameron #hallmark #xmas #christmas #hanukkah #holidays #santa #podcast

2022 was a year of unforgettable performances. From the mainstream to the somewhat obscure, the critically acclaimed to the underappreciated, our staff has highlighted some of our favorite performances the movies had to offer this year. 🧵

@meabhmaybe E.L. King Paul Mescal in Aftersun "Mescal's performance is imbued with an undercurrent of quiet rumination that gradually evolves into a sometimes heartbreaking, but always tender, portrait of a young, single father trying his best to stay afloat." Peter Charney

"[The film] uses the power of knowledge to dismantle unjust systems that otherwise go unchallenged... emboldening children recognize the abuse of power, and find the courage to speak against it." Peter Charney (Peter Charney) reviews MATILDA: THE MUSICAL: bit.ly/3WIF7Km

SHE👏🏽SAID👏🏽HEARTBREAK👏🏽FEELS👏🏽GOOD👏🏽IN👏🏽A👏🏽PLACE👏🏽LIKE👏🏽THIS👏🏽

*Logs into Twitter for first time in 2023* *Sees Everything Everywhere All at Once backlash* *Logs off*

Happy Birthday, Wes!!

For my NYC friends looking for some live theatre in August ☺️⚱️💙

Check your cynicism at the door: Brendan George is earnest and endearing as he asks for help in mourning his friend in this one-man show, “A Eulogy for Roman.” nyti.ms/3DVrlNb

Brendan George's sweet, open-hearted solo show A EULOGY FOR ROMAN runs 59E59 Theaters thru Sunday. It won me over despite myself theatrely.com/post/a-eulogy-…