Catch these flicks on Metrograph At Home. bit.ly/3spx5Ng

📺️ LA FLOR (Mariano Llinás, 2018)⁠
📺️ CANIBA ( Verena Paravel & Lucien Castaing-Taylor, 2017)⁠
📺️ ASAKO I & II (Ryusuke Hamaguchi, 2018)⁠
📺️ AND WHEN I DIE, I WON'T STAY DEAD (Billy Woodberry, 2015)

With her Metrograph series opening today, here is Ena Sendijarević’ in dialogue with Natalia Keogan about her two very different features, the Eurythmics, 'Apocalypse Now' and more.
filmmakermagazine.com/125742-ena-sen…

A wonderful visit from legendary cinematographer Frederick Elmes! ✨

For those in New York, you can check out Metrograph's FILMCRAFT: FREDERICK ELMES program—which begins this weekend runs through April 29, with Elmes in attendance for Q&As and introductions at all weekend…

Alain Delon The New Yorker, New York Times Arts, and 4Columns; Francis Ford Coppola Sight and Sound magazine, The Ringer, and Guardian Film; John Akomfrah Frieze; Vera🃏 Reverse Shot; Charles Burnett Film Comment Magazine; Miles Davis Metrograph …

Did You See This? criterion.com/current/posts/…

🌹*back by popular demand*🌹

We've just added two screenings of Patrick Tam's MY HEART IS THAT ETERNAL ROSE on April 15th + 17th. bit.ly/3uZhPrD

NOCTURAMA (Bertrand Bonello, 2017) plays at Metrograph starting April 19th. Also streaming on Metrograph At Home 🏡❤️. bit.ly/43SSHQ7

Nastassja Kinski in TESS, playing this weekend at Metrograph.

🎙️Introduction by cinematographer Frederick Elmes Saturday, April 13, 8:30pm bit.ly/3xuEdtL

Jeanne Moreau and Miles Davis during the making of ELEVATOR TO THE GALLOWS (Louis Malle, 1961). Plays at Metrograph starting April 19th. bit.ly/3SIdW36

'[John Cassavetes] would bring you up and then beat you down, get the performance he wanted, and then apologize for taking advantage.'

Legendary cinematographer Frederick Elmes talks w. frank falisi about his career ahead of a Metrograph retrospective: thefilmstage.com/frederick-elme…

To mark The MIT Press @mitpress.bsky.social’s publication of Devotion, Metrograph welcomes Bradley—and a host of special guest filmmakers and artists who will join her for a panel discussion—for a retrospective of her potent body of work.

April 27 & 28: metrograph.com/category/garre…

For BOMB Magazine, I wrote about the new film from Liu Jian, ART COLLEGE 1994, which opens at Metrograph at the end of the month. You can read my review here (it might be paywalled?) or in BOMB's new Spring issue.

bombmagazine.org/articles/2024/…

Continuing our coverage of Metrograph's retrospective series on Lee Chang-dong's films, Rajiv reviews PEPPERMINT CANDY, examining how the personal and political intersect in the 2000 film 🇰🇷

🔗: theasiancut.com/post/peppermin…

Lee Chang-dong Remembers ‘Burning’ and ‘Poetry’: ‘Each Film Led Me to the Heart of Darkness’ trib.al/fwp0nDx

I’m seeing The Namesake this weekend at Metrograph with Mira Nair in attendance 😳🎉❤️‼️👀👑🙏🏾

Revisiting the actor John Cazale’s films, the subject of a new series at Metrograph, “convinced me that he was and still is Hollywood’s undisputed master of the everyday,” Jackson Arn writes. nyer.cm/CiIgOue

a great chance to see one of the best and most shattering movies ever made on the big screen.

“Has the kind of emotional depth and thematic complexity that rewards repeat viewings… Elegant and lyrical.”—The New York Times

Lee Chang-Dong's SECRET SUNSHINE plays this weekend. bit.ly/49u8bLW

“What Davis is channeling comes first from cinema, and second from music … bliss and boredom conjoined on the boulevard. Moreau was vibing, in other words.”

Sasha Frere-Jones on Louis Malle’s ELEVATOR TO THE GALLOWS (1958) Metrograph — metrograph.com/listen-up-mile…