
Margaret Barton-Fumo
@marbarfu
No Pussyfooting on kpiss.fm
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https://kpiss.fm/show/no-pussyfooting/ 08-01-2017 03:25:35
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What films by and about women are opening this week? From our Movie of the Week #Hilma to @TLWinTheatres and #RareObjects, there is plenty to choose from. Margaret Barton-Fumo reports: awfj.org/blog/2023/04/0…



A great week for movies by/about women, including #DryGroundSeason, #JudyBlumeForever, #LittleRichardIAmEverything, #River, #OtherPeoplesChildren & #TrenqueLauquen! Margaret Barton-Fumo reports on what's opening: awfj.org/blog/2023/04/1… Check out the 🧵 ⬇️ for reviews on all 6!

“Margaret Barton-Fumo draws a comparison between film remakes and cover songs, which is really apt in this case: BREATHLESS (1983) feels more like a reinterpretation or ‘cover’ of BREATHLESS (1960) than any sort of substitute or replacement.”

Sign this petition in order to protect the Mütter Museum from being sanitized! Visiting the collection was a truly life-altering experience for me. Everyone—whether they're physically present or accessing its digital assets—should see the Mütter! change.org/p/protect-the-…

Head over to #AWFJ's Instagram to learn more about member Margaret Barton-Fumo! We asked Margaret to share her film passions with us...but which film did she say turned her into a critic? Head here to find out: instagram.com/p/CtQJroCN8zX/





Margaret Barton-Fumo (Margaret Barton-Fumo) reviews the late Paul Vecchiali’s The Strangler. The underseen 1970 giallo-like genre-bender with style to spare is now in U.S. theaters for the first time courtesy of Altered Innocence. bloodvine.com/the-strangler



"BAD COMPANY is good company. Go see it!," implored Richard Schickel for LIFE in 1972. Blu-ray, w/brand-new restoration, via the ocn, is up for preorder now: 👉 tinyurl.com/3ujj8sss Tom Ralston art, Scott Saslow design, @mangiotto commentary, Margaret Barton-Fumo essay.

"During a tenuous period of Japanese cinema, Sômai helped to usher in the wave of new independent cinema of the 2000s." Today in the Metrograph Journal: An essay on the late director Shinji Sômai's youthful exuberance by Margaret Barton-Fumo (Margaret Barton-Fumo). bit.ly/3Yro9nQ

Margaret Barton-Fumo (Margaret Barton-Fumo) reviews Damian McCarthy’s Oddity. His follow-up to 2020’s Caveat is “a classic whodunit couched in a haunted-house story with a touch of Gothic” that has consistently unnerving atmosphere and plenty of effective scares. bloodvine.com/oddity

"Trouncing through her surroundings like a melancholic Zazie dans le Métro (1960), [Tabata] animates the film w/ her precocious energy." -Margaret Barton-Fumo on MOVING, which opens Film at Lincoln Center Friday. Metrograph's Somai x 3 starts Fri w/ TYPHOON CLUB & P.P. RIDER. metrograph.com/shinji-somai-m…

"BAD COMPANY arrives on Blu-ray courtesy of Fun City Editions w/the excellent a/v presentation & the loving extras that we’ve come to expect from the label. Bonuses include trailers, radio spots, a critic’s commentary & a booklet containing a thoughtful essay by Margaret Barton-Fumo."

We have 5 more copies of the PARTY GIRL Blu-ray, including the booklet w/rarely-seen images from director Daisy Von Scherler-Mayer's personal archive and an essay by Margaret Barton-Fumo. Subsequent pressings do not contain the booklet. 👉 funcityeditions.com/shop/p/party-g…
