'It feels especially repulsive to be lied to, manipulated and robbed by someone whose business model relied entirely on making you believe that they cared about you'

Amazing investigation by Julia Halperin into alleged gallery fraud

theartnewspaper.com/2024/04/30/fou…

The Venice Biennale begins this week. The New York Times goes through 8 hits of this year's festival.

Choices by Jason Farago, Alex Marshall, Julia Halperin, Jillian Steinhauer & Zachary Small.
nytimes.com/2024/04/19/art…

Artist Alex Katz: ‘This is the end game. It’s just sleep and paint’ Julia Halperin
ft.com/content/58f98f… via @ft

A New Way of Looking at the Nude. The artists redefining portraits of the human body for a more inclusive age. By Julia Halperin nytimes.com/2024/04/03/t-m…

Last week, I had the privilege to visit Equal Justice Initiative's new Freedom Monument Sculpture Park in Montgomery, Alabama. It's an object lesson in telling stories many people don't want to hear. wmagazine.com/culture/freedo…

🤩 Great roundtable about the biennials system with longtime Whitney curator Chrissie Iles and first-time biennial curator Meg Onli + Ben Davis & great artist Tuan Andrew Nguyen-Why Does the Art World Love to Hate the Whitney Biennial? By Julia Halperin culturedmag.com/article/2024/0…

Julia Halperin's question is an important one because the answer shapes who gets seen and how. theartnewspaper.com/2024/03/13/how…

great article by Julia Halperin with important details and assorted quotes on artist fees as “inextricably linked to the museum’s work in diversity, equity, inclusion and access”
theartnewspaper.com/2024/03/13/how…

Once an artist told me she went $100,000 into debt making an artwork for the Whitney Biennial.

A commission of $2,000 and ~6 months to make work might tell you something about who gets to this kind of exposure.

Excellent story by Julia Halperin

theartnewspaper.com/2024/03/13/how…

No better description of what I like to do than ask “important awkward questions”

Second time's the charm? The Smithsonian American Women's History Museum names a founding director... after the first one resigned: nytimes.com/2024/03/12/art…

Comment | How long can traditional philanthropy sustain museums?

In an effort to shore up their finances, museums across the US are engaging in unconventional partnerships and launching spin-off businesses, Julia Halperin says theartnewspaper.com/2024/02/20/the…

#MustRead by Julia Halperin-The hangover after the museum party: institutions in the US are facing a funding crisis. As the baby-boomer generation of major donors pulls back or dies off, museums are struggling to attract their heirs’ interest. theartnewspaper.com/2024/01/19/us-…

NEW ArtTactic Podcast: Julia Halperin chats with us about the trend of museum curators and staff leaving for commercial galleries buff.ly/3U20MPJ

Comment—There is no end to the museum exodus @juliahalperin
ow.ly/9lyu50QmvSv

🔥 Dealers Tim Blum, Pamela Echeverría, and Ellie Rines Break Down the Phenomenon the Art World Loves To Hate By ⁦Julia Halperin⁩ ⁦Cultured Magazine⁩ culturedmag.com/article/2023/1…

Artist Karen Finley was a key target during the first culture war. This week, she revisits work she made back then in Miami—in the middle of another culture war: nytimes.com/2023/12/06/art…

How to Start a Gallery. The art business can be unpredictable, especially in New York. We asked several art dealers how they stay afloat — and how much it costs to do so. By Julia Halperin nytimes.com/2023/09/27/t-m…