Thank you Max Caswell for this wonderful interview about my work! I feel honored. (ﾉ◕ヮ◕)ﾉ*:･ﾟ✧

gm! I had to take this piece off the market to move it from a compromised wallet to a secure one. "Black:ship" (2023) is back on the SuperRare market now. Reserve remains 5 ETH. 👇

gm 🟥 'Still Life Vol.1' is now available at objkt! 30 Editions 66.6 tez / edition objkt.com/tokens/KT1NoAd…

So excited to share that I’m featured in the April 11th issue of Harper’s BAZAAR ART with a six-page interview, as one of Japan’s Visionary Women in Art! Out at bookstores all across Japan—go find it and let me know what you think!😍

Dear HATA artists, We’d love for you to engage with our current post in any way you can — whether by retweeting, quoting, or commenting (just be sure not to reveal the author!). Your support means a lot to us. Thank you so much! Jana.

✴️Can you guess whose time capsule this is?✴️ "The Cult of the Digital Singularity is a hexaptych of six glitch artworks, designed in the shape of a cross to amplify the meaning it seeks to convey, accompanied by an essay. The technological singularity is no distant dream—it's

I talked recently to Beyond Noise Magazine about Bi(t)ological Clock, time, technological cycles and memory. Read below: thebeyondnoise.com/stories/ivona-…

shoulder to shoulder

✴️Sealed in the time capsule:One artist’s intimate echo into the future✴️ "In a world where #AI is transforming creativity, it's only natural to pause and question our place within it. The artwork is a profoundly personal piece, accompanied by an essay, that invites you to do

Banksy’s iconic painting that destroyed itself after it was sold for $1.4 million, later climbed in value to $25.4 million

At some point the labyrinth becomes home.

As HATA cofounder, it was my privilege to attend this event last night. Good things are happening at The MoA+L.

Fireworks instagr.am/p/DLr42XtRzuf/

3+ million people will see this on the High Line… Gm! Thrilled to announce Where There’s Smoke will be in the RLWindow at Ryan Lee Gallery (Sept 4–Dec 20 ) on the High Line in NYC. Visitors can interact with the work via text, and I’ll be doing two live collaging performances

● The digital realm is not purely disembodied; it has a material presence made up of hardware, light, and touch ● → untitled gestures – Hello World! (pt1-4) Four 4 MP4 audio-visuals signaling "Hello World!" in morse code together. The glowing surface we interact with becomes