The figures appear both three-dimensional and flat; the shading of the back appears fairly true to life but Louis Fratino’s feet are squeezed into the corner of the frame, while his left hand has been reduced to a claw-shaped flat line.Text by David Everitt Howe ow.ly/VJMG50xdrGm

David Everitt Howe (David Everitt Howe) reviews Brendan Fernandes's new performance, which brings Isamu Noguchi's sculptures to life, on view at the The Noguchi Museum through March 8 bit.ly/2QWAJJ2

I reviewed radicalhospitality for AiANews : “Describing her philosophy on nature—it can’t be owned, and every object has its own autonomous life force—Iron Eyes pauses to collect her thoughts, smiles awkwardly, and… instagram.com/p/B8wQlUQl4KM/…

I gotta say, I’m pretty pleased with this review of “FUNHOUSE” by frequentlyaskedquestion at helenaanrather, which takes an astute look at the confines and problematics of the “American dream”: “Refugees from Syria… instagram.com/p/CCBba2Uli3L/…

A somewhat experimental essay on loss, care, and remembrance in the work of @nangoldin1 and #kathleenwhite for Pioneer Works Broadcast: pioneerworks.org/broadcast/how-…

Just posted a photo @ Situations instagram.com/p/CFM_yzflouD/…

salman toor ‘s intricate scenes of gay men socializing in bars, bedrooms, and other urban spaces portrays Brown men navigating the complexities of assimilation and otherness with both joy and solitude. By David Everitt Howe ) moussemagazine.it/salman-toor-da…

“There’s something radical about the way the painter Reggie Burrows Hodges primes his blank white canvases with an inky, monochromatic black,” writes David Everitt Howe. In works on view at KARMA, “he practically carves his figures out of this surface.” bit.ly/3uaf15C

I wrote a very personal piece on the work of @gerardandkelly , a mix of criticism and autobiography, on memory, desire, and the queerness of time for Broadcast: pioneerworks.org/broadcast/i-re…

I wrote a text on Gerard & Kelly’s work, a combination of analysis and autobiography prompted by their work’s focus on memory and lived experience.

Making sculpture humdrum and turning the humdrum into sculpture, Charles Harlan’s objects question the very value of an artwork. Words by David Everitt Howe. #PWBroadcast pioneerworks.org/broadcast/stra…

In “Legally Blonde” at Downs & Ross, that ditzy blonde stereotype is playfully pried apart, exposing the ways in which female sexuality and identity are dictated by advertising, the media, and—by extension—men, writes David Everitt Howe. artforum.com/picks/legally-…

Dramatic highlights from the skies above New York City by intrepid astronomer Joe Patterson. pioneerworks.org/broadcast/big-… via Pioneer Works

Thrilled to write about #CharlesAtlas incredible video, which is STREAMING for TWO WEEKS ONLY on Pioneer Works special thanks to my editor David Everitt Howe + @karlmccool at Electronic Arts Intermix (EAI) 🩸

ROTTING IN THE SUN, Sebastián Silva’s ninth feature, is a darkly funny, autofictional thriller following a cynical artist’s encounters with a self-obsessed social media star—“the opposite sides of the same egotistical coin.” Review by David Everitt Howe. bombmagazine.org/articles/sebas…

Such a beautiful, hybrid text by grace byron ! Congrats! Out now on #PWBroadcast Pioneer Works

A note from our editors-in-chief, on the occasion of our first-ever print issue. pioneerworks.org/broadcast/broa… via Pioneer Works

Wrote a really fun profile of Narcissister for Pioneer Works!

I met ✊🏾 at Stone Mountain outside Atlanta; the granite outcropping is the world’s largest Confederate monument, which LeSeur has made new work about. I dove into the site’s dark history for a new essay for Pioneer Works pioneerworks.org/broadcast/lean…