#Edinburgh2023, #Review, #Scotland dushka reviews Geoff Sobelle’s show at the Edinburgh International Festival thetheatretimes.com/edinburgh-inte…

What I got up to in Edinburgh 1/6

What I got up to in Edinburgh 2/6

What I got up to in Edinburgh 3/6

What I got up to in Edinburgh 4/6

What I got up to in Edinburgh #danish #edinburghfringe #darknoon thetheatretimes.com/edinburgh-frin…

What I got up to in Edinburgh #lucymccormick thetheatretimes.com/edinburgh-frin…

Here’s what I got up to in Selby, Leeds and Newcastle with The Performance Ensemble, Alan Lyddiard’s new NPO-funded project with artists aged 60+. #creativeageing #performace #arts #community linkedin.com/pulse/blog-du%…

“We need to give a chance to authors overlooked by history” Director director Andjelka Nikolić talks to dushka about why rescuing the Serbian play Poor Mileva from obscurity is a form of activism. seestage.org/interview/andj…

Something I really enjoyed working on recently!

Very happy to be back Leeds Playhouse with a new version of #Sinfonia before we move on to Cast and then on the BarrowFull Then who knows ..... #artwiththeexperienceofage #1001Stories

I'm enjoying rehearsals a lot - come and see us end of the month - it's going to be great #Sinfonia Leeds Playhouse with @OlderEnsemble leedsplayhouse.org.uk/event/sinfonia… photo David Lindsay

The latest fascinating encounter!

Go and see!

I call dramaturgy ‘theatre-making’ to underline it is about process, collaboration and interplay between text and performance (and not just drama or writing). Thanks.

An experiment in open access. I’ll share a page a day from the 2023 book Aural/Oral Dramaturgies. See how far we get:

What I got up to in Edinburgh earlier this month: thetheatretimes.com/edinburgh-fest…

A newspaper-themed ‘dress to impress’ design for Lady Gaga by 9-yo Katarina, because ‘the news is so big in America’