Don MacRaild (@dmmacraild) 's Twitter Profile
Don MacRaild

@dmmacraild

Historian • Professor • LMU • Hon. positions at @HCAatEdinburgh • @UUHistory | Art lover & amateur dabbler | #FirstGen | OA book: tinyurl.com/2rr5z38n

ID: 598641070

linkhttps://www.londonmet.ac.uk calendar_today03-06-2012 20:33:57

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The Pennine Painter (@penninethe) 's Twitter Profile Photo

Some of Peter Brook’s most upbeat paintings are those of his local Bradley Wood, a favourite location for Shep’s last walk of the day, ‘Training the Dog - About 1/4 to 4’ being a typically atmospheric example, with the warm orange light in the sky seen through the evening mist.

Some of Peter Brook’s most upbeat paintings are those of his local Bradley Wood, a favourite location for Shep’s last walk of the day, ‘Training the Dog - About 1/4 to 4’ being a typically atmospheric example, with the warm orange light in the sky seen through the evening mist.
Brian Groom (@groomb) 's Twitter Profile Photo

Bitter Cold, Chapel Street, 1959, by Peter Brook, 1927-2009 (Kirklees Museums and Galleries). Sowerby Bridge, west Yorkshire. #NorthernArt

Bitter Cold, Chapel Street, 1959, by Peter Brook, 1927-2009 (Kirklees Museums and Galleries). Sowerby Bridge, west Yorkshire. #NorthernArt
Grim Art (@grimartgroup) 's Twitter Profile Photo

George Shaw (b.1966) captures what’s been described as the ‘edgelands’ of Britain and for me, the desolate childhood vistas of Sunday afternoons aided by memories of a Humbrol Paint hit of long lost ‘Airfix Days’ ✈️ 😔 experienced at one of his exhibitions. End of Terrace, 2014

George Shaw (b.1966) captures what’s been described as the ‘edgelands’ of Britain and for me, the desolate childhood vistas of Sunday afternoons aided by memories of a Humbrol Paint hit of long lost ‘Airfix Days’ ✈️ 😔 experienced at one of his exhibitions. 

End of Terrace, 2014
History at UCC (@ucchistory) 's Twitter Profile Photo

An excellent set of papers from a very successful conference. Our thanks to the organisers and participants for their hard work

Damian Shiels (@irishacw) 's Twitter Profile Photo

I'm pleased to launch "Yankee Pensioners in Ireland 1845-1905: An Interactive Map" with location/bio info on 720+ women & men receiving U.S. pensions in Ireland-significantly more than previously thought: storymaps.arcgis.com/stories/4e3d40…

The Pennine Painter (@penninethe) 's Twitter Profile Photo

‘December - Sheep Coming In’, the last in Peter Brook’s ‘Twelve Months of the Year’ series of lithographs, portrays an isolated Pennine farm in subdued seasonal light, yet lifted as usual by one of his sublime winter skies. (Published by Agnews in 1978 as a signed edition of 150)

‘December - Sheep Coming In’, the last in Peter Brook’s ‘Twelve Months of the Year’ series of lithographs, portrays an isolated Pennine farm in subdued seasonal light, yet lifted as usual by one of his sublime winter skies. (Published by Agnews in 1978 as a signed edition of 150)
Don MacRaild (@dmmacraild) 's Twitter Profile Photo

In 1931, long-time peace activists Jane Addams, co-founder of Hull House, and Nicholas Murray Butler, long-serving president of Columbia University shared the The Nobel Prize for peace. britannica.com/biography/Jane… britannica.com/biography/Nich…

The Pennine Painter (@penninethe) 's Twitter Profile Photo

Before he adopted his trademark motif Peter Brook often included a lone shepherd and his dog in his earlier paintings, like ‘Looking for Sheep - By Some Ruins’, an atmospheric portrayal of the challenging life and work of the hill farmer in winter. (Sold Wilson55 Auctioneers & Valuers in 2020)

Before he adopted his trademark motif Peter Brook often included a lone shepherd and his dog in his earlier paintings, like ‘Looking for Sheep - By Some Ruins’, an atmospheric portrayal of the challenging life and work of the hill farmer in winter. (Sold <a href="/Wilson55Auction/">Wilson55 Auctioneers & Valuers</a> in 2020)
The Pennine Painter (@penninethe) 's Twitter Profile Photo

Wet all day today, like ‘Swaledale - Just a Passing Shower’, a clear case of Peter Brook’s fondness for understatement, wading with Shep through the puddles along the moorland road near the top of the Dale with only a patch of pink in the sky suggesting any change in the weather.

Wet all day today, like ‘Swaledale - Just a Passing Shower’, a clear case of Peter Brook’s fondness for understatement, wading with Shep through the puddles along the moorland road near the top of the Dale with only a patch of pink in the sky suggesting any change in the weather.
Damian Mac Con Uladh (@damomac) 's Twitter Profile Photo

I was delighted once to have served as editor of Hostings, journal of the Ballinasloe and District Heritage Society . Currently the bestseller locally, it makes the ideal Christmas gift for Ballinasloe people (and not only) at home and abroad!

I was delighted once to have served as editor of Hostings, journal of the Ballinasloe and District Heritage Society . Currently the bestseller locally, it makes the ideal Christmas gift for Ballinasloe people (and not only) at home and abroad!
The Pennine Painter (@penninethe) 's Twitter Profile Photo

Peter Brook always undertook the occasional commission, such as ‘Sheila Halstead’s’ on Syke Lane in Ogden. The collector, with what looks like a Christmas tree, is seen in the window, under which for a change a cat takes pride of place. (Sold at Halifax Mill Auctioneers in 2022)

Peter Brook always undertook the occasional commission, such as ‘Sheila Halstead’s’ on Syke Lane in Ogden. The collector, with what looks like a Christmas tree, is seen in the window, under which for a change a cat takes pride of place. (Sold at Halifax Mill Auctioneers in 2022)
The Pennine Painter (@penninethe) 's Twitter Profile Photo

Peter Brook liked to identify literary connections with his work. In ‘The Woods are Lovely, Dark and Deep - Robert Frost’ he quotes the well known line from the American poet’s ‘Stopping by the Woods on a Snowy Evening’, describing a journey on the night of the Winter Solstice.

Peter Brook liked to identify literary connections with his work. In ‘The Woods are Lovely, Dark and Deep - Robert Frost’ he quotes the well known line from the American poet’s ‘Stopping by the Woods on a Snowy Evening’, describing a journey on the night of the Winter Solstice.
The Pennine Painter (@penninethe) 's Twitter Profile Photo

In ‘Christmas in Reeth’, which Peter Brook often visited during the festive season, he portrays perfectly the feel of the popular Upper Swaledale village in the low light of this time of year, although the mood is lifted by a dash of red in the sky and the tree in the window.

In ‘Christmas in Reeth’, which Peter Brook often visited during the festive season, he portrays perfectly the feel of the popular Upper Swaledale village in the low light of this time of year, although the mood is lifted by a dash of red in the sky and the tree in the window.
The Pennine Painter (@penninethe) 's Twitter Profile Photo

‘Christmas Eve in Slaithwaite - With a Distracted Dog and a Baffled Sheep’ just has to be by Peter Brook, the anthropomorphic animals clearly confused as Santa makes his way to the front door, seemingly unaware that the chimney has just been swept in anticipation of his arrival.

‘Christmas Eve in Slaithwaite - With a Distracted Dog and a Baffled Sheep’ just has to be by Peter Brook, the anthropomorphic animals clearly confused as Santa makes his way to the front door, seemingly unaware that the chimney has just been swept in anticipation of his arrival.