ClassFestival (@classfestival) 's Twitter Profile
ClassFestival

@classfestival

Festival, Live Events and Literary Prize for Working Class Writers | Founder/Director @NatashaCarthew | Partners @PenguinUKBooks & @HachetteUK

ID: 1235244634261118976

calendar_today04-03-2020 16:44:25

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The Future Bookshelf (@futurebookshelf) 's Twitter Profile Photo

There is still time to enter the 2025 Nature Writing Prize for Working Class Writers. This unique prize returns for a sixth year with support of Gaia Books (an imprint of Octopus Publishing) and the Arvon. Closing date: 25 April 2025 Find out more: brnw.ch/21wRLrD

Dispatch (@_dispatch_media) 's Twitter Profile Photo

"Middle-class tourists wash in and out of their second homes with bags of premium cocaine — and then bugger off again. Those left behind are not so lucky." Natasha Carthew on drugs in Cornwall: dispatch-media.com/cornwalls-perf…

Lisa Mckenzie (@redrumlisa) 's Twitter Profile Photo

I worked on this project for 3 years. It was a great time working with Mike and Sam Friedman & the others on the research. We need to talk about class again. British Sociology over 10 years as lost its way.

ATD Ireland (@atdireland) 's Twitter Profile Photo

We at One Family Ireland support the ATD Ireland #Addthe10th campaign One-parent families experience among the highest rates of #poverty in Ireland. It's time to make it illegal to discriminate based on someone's socio-economic background. #EndChildPoverty #Endpoverty

We at <a href="/1familyireland/">One Family Ireland</a> support the <a href="/ATDIreland/">ATD Ireland</a> #Addthe10th campaign
One-parent families experience among the highest rates of #poverty in Ireland. It's time to make it illegal to discriminate based on someone's socio-economic background.
#EndChildPoverty #Endpoverty
ATD Ireland (@atdireland) 's Twitter Profile Photo

ATD Ireland is proud to invite you all to our #LeaveNoOneBehind Project Launch 23rd April 2pm film exhibition & interactive workshop Unit18 (Trinity College Dublin in the Community) located 50 metres from the junction of Pearse St & Macken St atdireland.ie/wp/leave-no-be…

<a href="/ATDIreland/">ATD Ireland</a> is proud to invite you all to our #LeaveNoOneBehind Project Launch
23rd April 2pm film exhibition &amp; interactive workshop
Unit18 (<a href="/tcddublin/">Trinity College Dublin</a> in the Community) located 50 metres from the junction of Pearse St &amp; Macken St 
atdireland.ie/wp/leave-no-be…
Natasha Carthew (@natashacarthew) 's Twitter Profile Photo

We grew up in poverty, my dad left when I was 6 & my mum worked 4 jobs to put food on the table & pay rent on our tiny 1 bed flat; everything was borrowed including books from the mobile library, without those lifeline books I wouldn't be the writer I am today #SupportLibraries

We grew up in poverty, my dad left when I was 6 &amp; my mum worked 4 jobs to put food on the table &amp; pay rent on our tiny 1 bed flat; everything was borrowed including books from the mobile library, without those lifeline books I wouldn't be the writer I am today #SupportLibraries
ATD Ireland (@atdireland) 's Twitter Profile Photo

As an #IrishTraveller a member of one of the most discriminated against communities in Irish society & one protected under the 9 grounds of Irish Equality Legislation; I stand in solidarity with #AddThe10th & this missing ground, discrimination based on socioeconomic identity💪👊

As an #IrishTraveller a member of one of the most discriminated against communities in Irish society &amp; one protected under the 9 grounds of Irish Equality Legislation; I stand in solidarity with #AddThe10th &amp; this missing ground, discrimination based on socioeconomic identity💪👊
Women's Prize (@womensprize) 's Twitter Profile Photo

📣 Announcement! We’re excited to share the 16 outstanding writers who have been longlisted for #Discoveries 2025 🌟 Each of these talented voices brings something unique to the page: bit.ly/3EIyvZk Run by #womensprize, Curtis Brown Creative, Curtis Brown Books and Audible UK 🎧

📣 Announcement!
We’re excited to share the 16 outstanding writers who have been longlisted for #Discoveries 2025 🌟 Each of these talented voices brings something unique to the page: bit.ly/3EIyvZk

Run by #womensprize, <a href="/cbcreative/">Curtis Brown Creative</a>, <a href="/CBGBooks/">Curtis Brown Books</a> and <a href="/audibleuk/">Audible UK 🎧</a>
Natasha Carthew (@natashacarthew) 's Twitter Profile Photo

Only doing one gig in the motherland this year but it's a good one - Lost Gardens of Heligan #Cornwall 14th June - tickets are selling out fast - details: heligan.com/events/events-…

Only doing one gig in the motherland this year but it's a good one - Lost Gardens of Heligan #Cornwall 14th June - tickets are selling out fast - details: heligan.com/events/events-…
Equity (@equityuk) 's Twitter Profile Photo

Working class representation in the creative industries is at the lowest level in a decade. The Equity Class Network Manifesto is a blueprint to change this - from free childcare to making class a protected characteristic. equity.org.uk/campaigns-poli…

KNEECAP (@kneecapceol) 's Twitter Profile Photo

"Mo Chara’s real problem is that the message he put out landed. Working-class people aren’t meant to speak like this, organise like this, or connect struggles across borders like this. That’s what scares them. While Mo Chara stands in the dock for allegedly waving a flag, those

Cornwall Education Learning Trust (@celtacademies) 's Twitter Profile Photo

SPEAKER INTRO: We're pleased that Natasha Carthew will be speaking at our Belonging conference on 05 July! 🤩 Natasha is the author of Undercurrent: A Cornish memoir of poverty and resilience based on her experience of growing up in Cornwall.

SPEAKER INTRO: We're pleased that Natasha Carthew will be speaking at our Belonging conference on 05 July! 🤩 Natasha is the author of Undercurrent: A Cornish memoir of poverty and resilience based on her experience of growing up in Cornwall.
Natasha Carthew (@natashacarthew) 's Twitter Profile Photo

I feel sorry for the fans, I feel sorry for Cornwall and I feel fucking angry for us writers who, despite lived-experience of extreme poverty, homelessness etc, cut out our own hearts with a blunt knife and place it into the hands of others, sometimes for very little money or

I feel sorry for the fans, I feel sorry for Cornwall and I feel fucking angry for us writers who, despite lived-experience of extreme poverty, homelessness etc, cut out our own hearts with a blunt knife and place it into the hands of others, sometimes for very little money or
Natasha Carthew (@natashacarthew) 's Twitter Profile Photo

Great article on the shitshow that is the Salt Path - so many of us writers rip our hearts out in the name of good 'honest' memoir writing, the kind of writing that is written with authentic voice at its roots, don't see near the success of this book Why? Because our stories are

Great article on the shitshow that is the Salt Path - so many of us writers rip our hearts out in the name of good 'honest' memoir writing, the kind of writing that is written with authentic voice at its roots, don't see near the success of this book

Why? Because our stories are
ATD Ireland (@atdireland) 's Twitter Profile Photo

"You shouldn't judge a book by it's cover.. if you see someone struggling in the street don't judge them, help them. In the future this needs to stop #Addthe10th & make all discrimination illegal !" atdireland.ie/wp/atd-ireland…

"You shouldn't judge a book by it's cover.. if you see someone struggling in the street don't judge them, help them. In the future this needs to stop #Addthe10th &amp; make all discrimination illegal !"

atdireland.ie/wp/atd-ireland…
Natasha Carthew (@natashacarthew) 's Twitter Profile Photo

Heading off to a secret location to see in the tail end of summer I've spent the last ten weeks working on final edits for the new fiction, every minute of every single day - through birthdays and weddings and weekends and parties I've had my notebook in my hand and my mind on

Heading off to a secret location to see in the tail end of summer 

I've spent the last ten weeks working on final edits for the new fiction, every minute of every single day - through birthdays and weddings and weekends and parties I've had my notebook in my hand and my mind on