Coming up in Brussels this Saturday, in collaboration with Almine Rech

artreview.com/artreview-almi…

Archie Moore’s exhibition kith and kin at the Australia Pavilion has been awarded the Golden Lion for Best National Participation at La Biennale de Venezia 2024 artreview.com/archie-moores-…

my latest review from ArtReview_ asia spring issue is also available to read online! this one took quite a long editorial back-and-forth to get published but i'm so happy to see it making it to print. FLOWERS OF BELAU is such a dreamy, composite work 🌺

My take on the #venicebiennale

With an apparent appetite for destruction, not least that of his own reputation and even art, what, one might ask, are Christoph Büchel’s motivations, and does he have any limits? His exhibition ‘Monte di Pietà’ is on view at Fondazione Prada this week artreview.com/christoph-buch…

Your guide to the Arsenale at the Venice Biennale 2024: The Benin, Türkiye, Argentina and Philippines pavilions – reviewed artreview.com/venice-biennal…

Your guide to the Giardini at the Venice Biennale 2024: The Denmark, Spain, Bulgaria and Poland pavilions – reviewed artreview.com/venice-biennal…

Who can judge the 60th Venice Biennale? Adriano Pedrosa’s ‘Foreigners Everywhere’ wants art to speak for everyone, but it’s hard to know what it might actually say. Read J.J. Charlesworth’s review: artreview.com/60th-venice-bi…

Connecticut man Nicholas P. Hatch has been sentenced to 14 months in federal prison for selling 145 fraudulent Peter Max paintings artreview.com/seller-of-145-…

Dutch artist Jonas Staal rejects the institution’s residency fellowship nomination over Mukherjee’s complicity in anti-Palestine censorship in Germany artreview.com/jonas-staal-tu…

Doruntina Kastrati: “We became an independent country in 2008 and national representation became a key dimension at this stage of nation-building” artreview.com/doruntina-kast…

Doruntina Kastrati: “We became an independent country in 2008 and national representation became a key dimension at this stage of nation-building” artreview.com/doruntina-kast…

Archie Moore’s exhibition kith and kin at the Australia Pavilion has been awarded the Golden Lion for Best National Participation at La Biennale de Venezia 2024 artreview.com/archie-moores-…

A few more reviews by me from the Giardini artreview.com/venice-biennal…

Dutch artist Jonas Staal rejects the institution’s residency fellowship nomination over Mukherjee’s complicity in anti-Palestine censorship in Germany artreview.com/jonas-staal-tu…

Connecticut man Nicholas P. Hatch has been sentenced to 14 months in federal prison for selling 145 fraudulent Peter Max paintings artreview.com/seller-of-145-…

Who can judge the 60th Venice Biennale? Adriano Pedrosa’s ‘Foreigners Everywhere’ wants art to speak for everyone, but it’s hard to know what it might actually say. Read J.J. Charlesworth’s review: artreview.com/60th-venice-bi…

Your guide to the Giardini at the Venice Biennale 2024: The Denmark, Spain, Bulgaria and Poland pavilions – reviewed artreview.com/venice-biennal…

My snap review of the Arsenale at the Venice Biennale artreview.com/venice-biennal…

In a challenge to the Venice Biennale’s defining principles, the project for the French Pavilion – open today in the Giardini – was launched in Martinique artreview.com/julien-creuzet…