Serena Autiero PhD (@archaeoglobal) 's Twitter Profile
Serena Autiero PhD

@archaeoglobal

On my way out of here

ID: 1238004915265511424

linkhttps://ceres.rub.de/en/people/seautiero/ calendar_today12-03-2020 07:32:40

559 Tweet

357 Followers

605 Following

Serena Autiero PhD (@archaeoglobal) 's Twitter Profile Photo

E le genti che passeranno, o bella ciao, bella ciao, bella ciao ciao ciao, e le genti che passeranno mi diranno «che bel fior.» Questo è il fiore del partigiano, o bella ciao, bella ciao, bella ciao ciao ciao, questo è il fiore del partigiano morto per la libertà

Lost Arts of Nepal (@lostartsofnepal) 's Twitter Profile Photo

FAITH STOLEN - BREAKING NEWS This 15th Century Wooden SHALABHANJIKA YAKSHI STRUT, Stolen in the 1970s-80s, From Laxmi-Narayana Temple, Datattraya, Bhaktapur, Has Been Located Sold at Christie's , New York, USA, 2001. Nepal Heritage Recovery Campaign Erin L. Thompson vj @ poetryinstone 🇮🇳 Emiline Smith

FAITH STOLEN - BREAKING NEWS 

This 15th Century Wooden SHALABHANJIKA YAKSHI STRUT, Stolen in the 1970s-80s, From Laxmi-Narayana Temple, Datattraya, Bhaktapur, Has Been Located Sold at Christie's , New York, USA, 2001.
<a href="/NHRCampaign/">Nepal Heritage Recovery Campaign</a> <a href="/artcrimeprof/">Erin L. Thompson</a> <a href="/poetryinstone/">vj @ poetryinstone 🇮🇳</a> <a href="/DrEmilineSmith/">Emiline Smith</a>
Serena Autiero PhD (@archaeoglobal) 's Twitter Profile Photo

I lost count of how many phytomorphic and geometric motifs I have described so far for the DiGA database. Rosettes, rosettes everywhere...

Alison Phipps አሊሰን 🧡🕊️ (@alison_phipps) 's Twitter Profile Photo

The UNESCO Chair calls for an immediate ceasefire by Israel to allow for hostage negotiations and urgent medical and humanitarian supplies to reach the 2.2 million population of the Gaza Strip. UofG Unesco RILA 🧡 gla.ac.uk/research/az/un…

DiGA (@digartefacts) 's Twitter Profile Photo

Another common iconography in Gandhara is the winged weight-bearer, also referred to as "Atlas", particularly in older literature. This #ObjectOfTheWeek depicts a winged weight-bearer sitting with the right leg bent. 1/4

Another common iconography in Gandhara is the winged weight-bearer, also referred to as  "Atlas", particularly in older literature. This #ObjectOfTheWeek depicts a winged weight-bearer sitting with the right leg bent. 1/4
DiGA (@digartefacts) 's Twitter Profile Photo

With this #ObjectOfTheWeek we inaugurate a series on the life of Buddha, starting with one of his previous lives. This panel depicts the Dīpaṃkara Legend. 1/6

With this #ObjectOfTheWeek we inaugurate a series on the life of Buddha, starting with one of his previous lives. This panel depicts the Dīpaṃkara Legend. 1/6
DiGA (@digartefacts) 's Twitter Profile Photo

Part of a relief with episodes from the Birth Cycle. The extant scene on the left depicts the Interpretation of Māyā’s dream. After dreaming of an elephant entering her side, Māyā and Śuddodhana ask Asita about the meaning of this dream. 1/4

Part of a relief with episodes from the Birth Cycle.
The extant scene on the left depicts the Interpretation of Māyā’s dream. After dreaming of an elephant entering her side, Māyā and Śuddodhana ask Asita about the meaning of this dream. 1/4
DiGA (@digartefacts) 's Twitter Profile Photo

Today's #ObjectoftheWeek depicts the First Bath of Siddhārtha. Soon after his birth, Prince Siddhārtha walks seven steps and proclaims this was his last rebirth. Then, two streams of water poured by gods wash the body of the newborn.

Today's #ObjectoftheWeek depicts the First Bath of Siddhārtha. Soon after his birth, Prince Siddhārtha walks seven steps and proclaims this was his last rebirth. Then, two streams of water poured by gods wash the body of the newborn.
DiGA (@digartefacts) 's Twitter Profile Photo

This #objectoftheweek is part of a frieze relief with two separated scenes from the Princely Life. The scenes are separated by a framed semi-column of the Gandharan-Corinthian type. 1/5

This #objectoftheweek is part of a frieze relief with two separated scenes from the Princely Life. The scenes are separated by a framed semi-column of the Gandharan-Corinthian type. 1/5