Watch the latest from “A Woman, A Part” Director Elisabeth Subrin: “For Maria,” a one-minute iPhone short based on archival footage of Maria Schneider and done for Strand Releasing’s 30th anniversary. filmmakermagazine.com/108466-strand-…

Something drew me out to Santa Monica to see A Woman A Part Film dir by @elisabethsubrin. A+. You'll be hearing more from her and about her..

@ambersealey @elisabethsubrin Miranda July Film Fatales LA Film Fatales NYC Thank you, Amber!

Thank you, Eugenia! x.com/eugenia_logie/…

Here are our new times for our second week at Laemmle Santa Monica.

Best screenplay award split: Yorgos Lanthimos' KILLING OF A SACRED DEER & Lynne Ramsay's YOU WERE NEVER REALLY HERE. Festival de Cannes

Lynne Ramsay & Yorgos Lanthimos win shared screenplay awards at #Cannes. Lynne thanks Joaquin Phoenix "who made this film as much as I did"

Can't be said enough: GOP plan is to go to ground, wait for attention to flag, then move fast to pass Trumpcare. And critical to ...

Now available on DVD & digital, A Woman A Part Film starring Maggie Siff of BILLIONS! Get your copy today: strandreleasing.com/films/a-woman-…

Glad that SHOWTIME is now running BILLIONS co-star #MaggieSiff's movie "A Woman, a Part." Excellent showcase for a terrific actress.

Thank you for including “A Woman, A Part”! x.com/IndieWire/stat…

The most useful bit of this month's newsletter is the rec for @elisabethsubrin's "A Woman, A Part" on Netflix tinyletter.com/laramie/letter…

The Senate Regrets Passing This Bill Providing For A Meteorite To Strike The Middle Class But It Is Important To Have Legislative Achievements wapo.st/2AiFAfy?tid=ss…

In @elisabethsubrin's timely film A WOMAN, A PART, a burnt out actress tries to escape toxic Hollywood. Available on #Netflix & #Showtime. #FatalesFriday

Director in Person! Join us January 24 & 25 as we welcome director Elisabeth Subrin for special premiere screenings of A WOMAN, A PART! youtu.be/F4AXycjOaRU Showtimes, info & tickets at bit.ly/2ChivIh A Woman A Part Film @elisabethsubrin

Up next.. World Cinema Dramatic Competition! Jury includes: Hanaa Issa of Doha Film Institute, Michael J. Werner—an American-born, Hong Kong-based producer and strategic consultant, and Swedish director and screenwriter, Ruben Östlund.

Kathleen Collins' LOSING GROUND (1982) was groundbreaking in its depiction of a modern Black woman but never theatrically released in its time. Daughter Nina Collins, who rescued the film, joins us for a screening this Sat 2/24: ucla.in/2nB5m6z #WorkingGirls