Pier Paolo Pasolini and Maria Callas behind the scenes of “Medea”, 1969.

DAVID BOWIE predicting back in 1999 - with typical prescience - the impact the Internet would have on all of us.

Le petit soldat (1963) Director: Jean-Luc Godard

La visión de un accidente persiguió a Jim Morrison toda su vida. Presenció cómo un camión de trabajadores nativos americanos volcaba y quedaban tirados desangrándose. Vivió convencido de que el alma de uno de ellos ocupó su cuerpo desde entonces social.elpais.com/j_d1i5

En #Italie, les nouvelles icônes du hip-hop chantent en arabe un article du journal en ligne ORIENT XXI L'Italie à Paris ACTUALITÉ ITALIE-FRANCE Canada en Italie orientxxi.info/lu-vu-entendu/…

Bernardo Bertolucci on Pier Paolo Pasolini's cinematic style: "Pasolini’s style can be defined as Romanesque, a frontal style that has a kind of primitive essentialism. His tracking shots resemble the first tracking shots in the history of cinema. His close ups resemble the

#Cinéma : Rien ne va dans ce «reboot» signé James Gunn, ni la mise en scène ni les effets ni le casting. tdg.ch/308186108900

"Gracias a la vida que me ha dado tanto Me ha dado la risa y me ha dado el llanto Así yo distingo dicha de quebranto". Violeta Parra

STEVEN SPIELBERG talking about his conversation with Kubrick after seeing The Shining the first time.

Spielberg wanted Daniel Day-Lewis to star in LINCOLN but after reading the script, DDL sent a letter saying no, so Spielberg had the script rewritten until he said yes. This is the rejection letter Day-Lewis sent Spielberg...

Satyajit Ray and Andrzej Wajda Discuss about Michelangelo Antonioni's view of actors: "Ray- Do you agree with, for instance, Antonioni, when he says that an actor is nothing but a puppet in the director’s hands? That the actor will have to do exactly as he says, he shouldn’t be

«Frantz Fanon», regard lumineux sur la pathologie coloniale 👉 bit.ly/4m7AAOv

⚫️ #Liban | Disparition de Ziad Rahbani, voix libre et engagée de la scène culturelle libanaise lorientlejour.com/article/147101…

John Cassavetes on how he feels when looking back at his films: "Interviewer: How do you feel when you look back at your films? How do they seem to you? Cassavetes: Well, a film recalls the memory of doing, working with people you like, people with whom you can come into

A celebration of cinema, Chris Marker's SANS SOLEIL breaks free of the documentary form and into a world of its own.

Wong Kar-Wai names his 5 most important movies: 1. "Apu Trilogy" by Satyajit Ray, for its humanity. 2. "Breathless" (1960) by Jean-Luc Godard, for its poetry. 3. "Vertigo" (1958) by Alfred Hitchcock, for its sensuality. 4. "Springtime in a Small Town" (1948) by Fei Mu, for

La Notte (1961) Director: Michelangelo Antonioni

La fotógrafa Judith Prat aborda el pasado esclavista de España y retrata las huellas que sigue dejando en el presente. “La más peligrosa es la idea perversa de la superioridad blanca” social.elpais.com/m20q76

Yasujirō Ozu on casting: "It is impossible to write a script unless you know who is going to play the part, just as a painter cannot paint unless he knows what colors he is going to use. Name stars have never been of much interest to me. What is important is the character of

Wim Wenders & Bernardo Bertolucci discuss about watching their own films on Television: "Wim Wenders: Quite by chance, two weeks ago, I came across Luna, which was being shown on TV. I watched the whole thing even though I never watch movies on television, especially my own.