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The afternoon of our #visualhistoryoftheholocaust #Paris conference continues w talks about media and war artists' work on the Nazi Crimes in the liberated Soviet Union and Poland from Laurel Leff Northeastern U. Marilyn Campeau UMoncton and Anastasiia Simferovska Northwestern

Not #Holocaust related yet hugely relevant for #visualhistory #visualculture study and appreciation: @filmmuseumwien celebrates #avheritage day tonite sjowing two films about the ephemeral and fragile nature of filmic memory. If you're in #Vienna please come and see!

Last panel for today has Karel Berkhoff NIOD | Bluesky: @niodamsterdam.bsky.social EHRI project present a fascinating case study of using footage outtakes to further analyse the topography of the #BabynYar massacre site (pictured here with panel chair Stuart Liebman and Kirill Feferman).

Learn more about our project Visual History of the Holocaust and new ways of engaging digitally with audiovisual sources from the #Holocaust.

Opening address of our #visualhistoryoftheholocaust workshop in Digital Curation by TU Wien Informatics Dean Gerti Kappl

Ingo Zechner Ludwig Boltzmann Gesellschaft Visual History of the Holocaust head framing today’s presentations on #digitalcuration in the context of #HolocaustRemembranceDay

Martin Kampel TU Wien presents the lessons learned in applying automated film analysis tools to large historical film archives #digitalvisualhistory

Ronald Gendwaider and Helmut Berger of max.recall present a first preview of the Visual History of the Holocaust web platform which will allow researchers to work with more than 67 hours of archival film, more than 8.000 historical photographs, citations and geodata. #digitalvisualhistory

Christian Konrad ORF Kultur interviews our project lead Ingo Zechner Ludwig Boltzmann Gesellschaft about the lasting impact of filmic #holocaust evidence. @filmmuseumwien #visualhistory #digitalvisualhistory

Support our research in the MEMORISE project project. Please share your knowledge about digital memory projects with us 🙏🙏🙏 👇🏾

This new article by ⁦⁦Tobias E. Hartmann 🎗️🇮🇱🏳️‍🌈✡️🎦⁩ ⁦noga⁩ and ⁦🎗️Lital Henig⁩ introduces the concept of digital visual history by analysing the use of digital technologies for historiographic curation in the ⁦Visual History of the Holocaust⁩ #visualhistory tandfonline.com/doi/full/10.10…

On July 5, 11AM Deutsches Filminstitut & Filmmuseum and EFG will host a webinar about transforming and enriching film heritage data with the open source tool OpenRefine. For registration and more info, please visit pro.europeana.eu/event/enrichin… Europeana Association des Cinémathèques Européennes FIAF