Twitter Beğeni Hilesi

as a June-born, I'd just like to say on her behalf that she's going through something, please be gentle with her

Janet Planet releasing in the UK the day school finishes... a pointed attack on self-employed mothers who occasionally go the cinema alone in the daytime as a treat?

at the mainlining Tangfastics stage of the draft 🐊🍒

Mary Robison's 'Why Did I Ever' was a huge formal influence for me when I was writing my novel 'Not Working', and this The Paris Review Art of Fiction interview with her is a dream:

‘This is some omelet’

Platonic ideal three words... 'Tessa Hadley novella'

generally don't like to brag, but struggling to keep this one under my hat: I just touch-typed 'anaesthetist' correctly on only the second go

proud to say I have read this beautiful, funny, clever, charming novel by outrageous talent Jessica Stanley, and soon you will all be able to too

in turbulent times it’s only human to do what we can to feel some agency over historic events, and for some of us that might - or might not! - include looking up Keir Starmer & Rishi Sunak’s July horoscopes

"Would you ask Noah Baumbach if he copied your student film?" -- great Lena Dunham interview newyorker.com/culture/the-ne…

'a broken heart or an obstructed love is proof of life, for there is nothing as wildly expansive as the yearning heart. It proclaims our existence as part of the universe. We hurt deeply because we love deeply.' God bless Nick Cave theredhandfiles.com/trouble-in-my-…

'But the pain has to do with coming to consciousness, that huge first heave a young poet must make from sensation to representation, and the further and even harder heave to solder a seam between them with a singular sound.' On Seamus Heaney harpers.org/archive/2024/0…

Mrs Dalloway reboot (Master Dalloway)

remembering to copy and paste the £0.83 Ocado price promise voucher code from your emails before checking out

school holidays

'Books are the product of writers, and writers [tend to be] really specific people who were readers as children. I think of literature as a kind of coping mechanism -- it helped me to survive a difficult period of my childhood.' Elif Batuman

'Annie always goes back to the kitchen table ... The table is the place where time passes.' Eline Arbo on her wonderful stage adaptation of Annie Ernaux's 'The Years' thelondonmagazine.org/interview-elin…