Lion’s Den Discovery: Pushback on a Eurocentric World View jonathanlarsonblog.com/2021/04/10/lio…

The Die Is Cast: No Friends But the Afghan Mountains jonathanlarsonblog.com/2021/04/22/the…

The Long and Winding Road: Mythic Highway, Honeymoon Beach jonathanlarsonblog.com/2021/05/01/the…

Omnibus: It Doesn’t Quite Mean ‘All’ jonathanlarsonblog.com/2021/05/20/omn…

Pebble on the Tongue: From the Basement of Suffering jonathanlarsonblog.com/2021/05/24/peb…

Pebble on the Tongue: ‘Luckiest Woman Alive!’ jonathanlarsonblog.com/2021/06/10/peb…

Pyrotechnics: There Are Fireworks, and Then There Are Fireworks jonathanlarsonblog.com/2021/07/07/pyr…

Pebble on the Tongue: “If You’re Lucky …” jonathanlarsonblog.com/2021/07/21/peb…

Pani Ram: Of Dugouts and Ferrymen jonathanlarsonblog.com/2021/08/07/pan…

Pebble on the Tongue:  Can Filigree Strings Yet Carry Us Aloft? jonathanlarsonblog.com/2021/09/09/peb…

Train to Marrakech: Epic Grandeur, Sharp Tutorial jonathanlarsonblog.com/2021/10/07/tra…

The Pillars of Hercules: Tangiers’ Brocade of Beauty and Struggle  jonathanlarsonblog.com/2021/11/09/the…

Salt of the Angolan Earth: Strange Grave, Brilliant Witness  jonathanlarsonblog.com/2021/12/25/sal…

Figure for the New Year* jonathanlarsonblog.com/2022/01/23/fig…

Trans-Siberian: Rivers, Steppes – the Endless Steppes – And Sometimes Sorrow. jonathanlarsonblog.com/2022/02/16/tra…

Strasbourg: The Stork’s Tenderness – and Its Failure jonathanlarsonblog.com/2022/03/04/str…

‘Special Military Operations’:  A Question In the Aftermath jonathanlarsonblog.com/2022/03/11/spe…

Howrah Rail Station: Singular Scene of Human Drama jonathanlarsonblog.com/2022/03/30/how…

The ‘Guest Room’: Of Cowsheds and Nightjars jonathanlarsonblog.com/2022/05/18/the…

Cemetery Poetry: The Place Where They Sleep  jonathanlarsonblog.com/2022/08/26/cem…