Want to learn more about generative art? Visit the Le Random website and take a look at the Timeline section. It's the first piece of advice I give to art collectors who want to find out more. Thanks for your efforts thefunnyguys.eth/tez ! timeline.lerandom.art

Very interesting and insightful interview with Rafaël Rozendaal 🪑. About the rise of digital art and his artistic development over the last 20 years. Highly recommended! Thanks verse open.spotify.com/episode/3ZAchI…

Do you know: Wolfgang Kiwus (1939–2022)? He was a true digital art pioneer. Using plotter drawings and algorithmic coding, he created unique, verifiable graphic works—early examples of art as encoded data. Want to learn more about Kiwus-> interfacegallery.io/artist/wolfgan…

Joan Truckenbrod deserves greater attention from crypto collectors: she was coding generative art in the 1970s, pioneering algorithmic textiles long before NFTs—transforming code into tangible, digital artifacts and bridging the gap from digital screen to physical artworks.

Sometimes all you need is a good book. Have a good weekend.

Busy this week with the final preparations for the Vera Molnar exhibition. The artworks have arrived; now only the photos for the background information, the kick-off meeting and the invitations need to be finalised. The happy life of a galerist😀.

Did you know that Harm van den Dorpel was the first artist where a museum (the Austrian MAK, Museum of Applied Arts/Contemporary Art) purchased an artwork with bitcoin? This was already in 2015. Want to learn more about Harm? Listen to this podcast. open.spotify.com/episode/6PLZT5…

Min(t)blowing

Manfred Mohr: "I write computer algorithms, i.e., rules that calculate and then generate a work that could not be realized in any other way. It is not necessarily the system or the logic I want to present in my work, but the visual invention that results from it."

Roman Verostko -> "With a line of code, we compose a score for the machine, and the machine performs a drawing just as a pianist performs a composition ". His expressive lines echo through contemporary generative and blockchain art. A matter of time before he is rediscovered.

Another great podcast from verse , this time with Raoul Pal . Imagine if the Lindey effect in digital art doesn't focus solely on xcopy and autoglyphs, but on real early artists such as Vera Molnar and Jan Robert Leegte . What would happen then? open.spotify.com/episode/2wPjI0…

Don’t talk about art just Watch it Rafaël Rozendaal 🪑 Fellowship

I'm very curious to see how much attention the very last drop of Art Blocks will receive this week. With Matt Hall and John Watkinson as the final artists. They deserve that spot. Compliments Erick / Snowfro / 🦩 / LAO / #️⃣ / 🔴 ! rightclicksave.com/article/larva-…

Lovely strategy

Marfa remains a magnet for artists and enthusiasts exploring the boundaries of timeless aesthetics and art—just as (early) digital art pushed the boundaries of technology and creativity. Have fun at Marfa for the happy few the coming days! Next year I will be there :)

If you had asked me a year ago whether A+ museums would be interested in adding multiple artists from the digital art domain to their collections, I would have said no. But now I know better, to be continued the next week ;) Can you take a guess?

There are so many talented plotter artists. A really good book that provides insight into the subject is Tracing the Line by Vetro Editions. There is so much good art in one book — it makes me happy every time I open it! From Casey REAS till Marcel Schwittlick

I'm making a travel plan for the coming months. From Paris Photo, Tefaf, Art Basel, NFC Lisbon to Frieze. Enough on my list ;) What do I miss?

In preparation for my exhibition of Vera Molnar, a Legacy!, I read and listen to many interviews and articles. I continue to learn from and about her; she was truly a visionary. This one with Hans Ulrich Obrist is really good -> vintage.hu/wp-content/upl…

Go and see this excellent show!!!