This morning I tried to explain what is interactive art to a bunch of 2-5 year olds using a bunch of bananas and spoons

WIP: Some strange tiny 3D temples coming soon. Because I've always thought the tiny temples on the side of streets here in SG/MY should become portals to other places.

Sub-monument by DBBD / layered lasercut on MDF: imagining an arts centre as a some kind of diabolical hardware, an absurdist signal processor

i want to take a run down this road

Making new work does take a long time... but I am having a lot of fun in Blender?

One of my favourite books is Scheerbart's Perpetual Motion Machine, a journal of attempts to invent a perpetual motion machine and how he envisions the world will change once he builds an infinite source of energy. Could NFTs make digital art the resource that changes the world?

I cannot deny but I am drawn to GUI compositions and OS processes like this; system UI and the performative input of the desktop user as part of the artistic composition itself.

It's nice that the process of enscribing the computational process into a physical form is a slow one with the plotter. That puts it in a time scale our human minds can better appreciate. I wouldn't mind watching the dots being slowly joined in the bit field..

"in crypto, everyone's a Freeport" - unattributed worlds colliding yesterday at Art Basel with Simon Denny Holly Herndon w Holly+ maria paula of JPG (pronounced jpeg) and folia

Throwback to my game/video “The Legend of Debbie” from earlier this year. "A scene from 2023 at the end of the minimum occupation period". (And of course the legend in this case obviously refers to a map legend😉🗺️📌)

💥⚡ I just minted two legacy PDFs & offered them on #hicetnunc2000 #NFT My work has always fallen just between theory & practice. But in the end, I believe that writing can also be an art form, so here we go: a 2pack reference #drop of my Glitch-story💥⚡ hicetnunc.xyz/menkman/creati…

“Each and Every Command” collects all the instructions given by Martin John Callanan to Photoshop over 15 years. A detailed description of the artist's creative process as an impressive and somewhat absurd collection of data. Check it out on Feral File feralfile.com/exhibitions

What are we doing to progress beyond these sad looking exhibitions for digital art? Even if it is argued that digital art is made to be shown in infinitely expanding virtual galleries, I go to art exhibitions IRL because I want to be immersed in the experience and materiality.

Have been enjoying discovering various amulets – but the uniformity of them in English makes me wish for more in a dialect or pidgin or even singlish accent. Or I guess I'll just have to make some myself...? - text.bargains/amulet/

Minus is supposed to be a social network where you can have only 100 posts for life. But... what if you had a Minus gallery where you could only collect 100 pieces of art during your entire life? Would 100 be too many or too little? What if every piece had to be kept for life?

Do you want to hear me talk about virtual reality, art making, and spaces and places in computer games? Come and see my world-building speedruns and subscribe to DBBD WORLD!: youtube.com/channel/UCJzBS…