Tony Smart said "Maybe they became visual too quickly? …before they had divested their physical characteristics {their materials } so that the physical ,in so needing to be re-invented ,still had a role to play." branchron.com/2021/03/28/bra…

Brancaster Chronicle No. 89: John Pollard Paintings branchron.com/2021/04/11/bra… via WordPress.com We invite you to join the discussion.

Brancaster Chronicle No. 88: Anne Smart Paintings branchron.com/2021/04/11/bra… via WordPress.com We invite you to join the discussion.

Alex Harley said "With 'Og-Telebot' the torn paper adds a different geometry to the drawn lines, a rigidity to the structure of the canvas with the edges. It is a very interesting parallel." We invite you to join the discussion branchron.com/2021/04/11/bra…

Alex Harley said "So rich!! These are extraordinary paintings -the depth and complexity is astonishing! There is an overall-ness which reveals itself slowly, parts come in and out of focus." We invite you to join the discussion branchron.com/2021/04/11/bra…

Noela James Bewry said "I love the textural, fluid, pulsing, linear elements as well as the sumptuous colours." We invite you to join the discussion branchron.com/2021/04/11/bra…

John Pollard said "Paintings should continue to keep ‘giving’ to the viewer. The meaning of a very good painting will not easily be exhausted." We invite you to join the discussion branchron.com/2021/04/11/bra…

Noela James Bewry said "I certainly feel Insignia of Lockdown has a frantic, cacophonous and discordant atmosphere to it, multi layered and complex, and powerfully discomforting." We invite you to join the discussion branchron.com/2021/04/11/bra…

Anne Smart said "Negating the potential role of the corners is not only a hazard for the “all over” painting…. I think! The potential for those is massively overlooked in many abstract paintings…" We invite you to join the discussion branchron.com/2021/04/11/bra…

Anne Smart said "“All-over” painting is a very crude and cruel attempt to describe an ambition. I do not know what “All over” means but I am trying to work to what non-relational means …." We invite you to join the discussion branchron.com/2021/04/11/bra…

Anne Smart said "Its fluidity is increased by the realisation that individually lots of the areas of paint applications and detailed ares are in themselves quite rigid…an exciting anomaly!" We invite you to join the discussion branchron.com/2021/04/11/bra…

Brancaster Chronicle No. 91: Hilde Skilton We invite you to join the discussion branchron.com/2021/04/25/bra…

Brancaster Chronicle No. 90: Mark Skilton Sculptures We invite you to join the discussion branchron.com/2021/04/25/bra…

Emyr Williams said "I was struck not only by the use of the material which is so inventive and open but the statement about the space and material. I identify with that completely and see a strong accord for painting. We invite you to join the discussion branchron.com/2021/04/25/bra…

Saul Greenberg "Love the energy, the ZEST in these, they look like they are from the entire body….hand made." We invite you to join the discussion branchron.com/2021/04/25/bra…

Wkend read? Contemporary abstract painting, sculpture & collage up for comment, criticism and analysis. We invite you to join the discussion.. branchron.com/2021/04/25/bra…

Wkend read? Contemporary abstract painting, sculpture & collage up for comment, criticism and analysis. We invite you to join the discussion... branchron.com/2021/04/25/bra…

Tony Smart said "Could it be, that given the already extended form, the “intractable” heavy pieces tip the sculpture towards the pictorial?" We invite you to join the discussion branchron.com/2021/04/25/bra…

John Bunker said "It's interesting to see how areas of discrete colour that encapsulated the push/pull dynamics of earlier work have been gradually atomised and subsumed or even submerged." We invite you to join the discussion branchron.com/2021/04/25/bra…

'Stormy Monday', 63 x 180 cm, May 2021, acrylic on canvas