I spoke to Oscar-Winning Editor, Joe Walker, on his revelatory work on DUNE #DunePartTwo This is the 1st episode of a 3-episode series on Dune: Part 2. In this one, Joe breaks down every frame of the Sandworm Sequence. Full episode on our YouTube Channel.

Next on TheEditingPodcast The editors of Deadpool & Wolverine

There is a slight delay on this; working on approvals. It's such a great episode, I can't wait for you all to see it.

Bad news guys. As of now, it looks like we won't be able to release this. It'll have to be vaulted. I hope one day we'll have permission to release this, it's such fantastic education on how a Marvel movie is edited.

LA editors, join me tomorrow as I interview and have a conversation with the editor of Chernobyl, Andor and Three-Body Problem. eventbrite.com/e/editors-on-e…

Next Monday. Deadpool & Wolvy. This one was a labor of love.

Here it is — The Deadpool & Wolverine Episode. I spoke to editors Shane Reid and Dean Zimmerman on how they executed the INSANE one-shot fight sequence. And a whole lot more… Full episode on our YouTube Channel

We’re over 200K 😭 thank you to our incredible community. We do it for you 🫶

Episode Two of our interview with the Dune editor, Joe Walker, is dropping tomorrow. We definitely DON’T talk about how the Oscars got it wrong by not nominating this film. Catch up on the first-episode now — youtu.be/0LtC0MvGUSY

Sometimes the Oscars get it wrong. Here it is. Episode 2 of our conversation with Joe Walker, the Oscar-Winning editor of DUNE #DunePartTwo We breakdown the truly insane Harvester Attack sequence and the Sound of Dune. Full ep here — youtu.be/hrKJNHUO2o0

'The editing is its own tennis match' A conversation with the editor of 'Challengers' He breaks down how he edits in another dimension, (Confusing, I know) And why the music was too loud on purpose. Go Watch on YouTube, link below.

THE SUBSTANCE wasn’t just a movie that broke all the rules, it was a film that made its OWN rules. Today on the show, we sat down with the editor of the Oscar-Nominated film to discuss why they weren’t afraid to go ‘crazy’ on the edit. Watch the full episode at the link in bio

according to severance editor, keith fraase, this shot was done practically by jessica lee gagné, on camera (with double exposure & winding the film back), there is no digital dissolve transition in this clip 🤯👏