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Sarah Giles' decadent production for SydneyTheatreCompany features some wonderful performances and a set design that cleverly shifts perspective. limelightmagazine.com.au/reviews/the-im…

Sydney Theatre Company’s 2024 Season is here! Experience a year of thrilling theatre brought to life by some of the country's finest theatre-makers. Explore the season: sydtheatre.com/2024-season

Presented by SydneyTheatreCompany and Moogahlin Performing Arts, Jane Harrison's powerful play offers a very different, thought-provoking perspective on the arrival of the First Fleet. limelightmagazine.com.au/reviews/the-vi…

“It’s like I am trying to make live cartoons all the time.” Director Sarah Giles, currently rehearsing SydneyTheatreCompany’s production of Oscar Wilde’s ‘The Importance of Being Earnest’, discusses the profound influence of Ren and Stimpy on her work:

🎭: The Dictionary of Lost Words – @StateTheatreSA + SydneyTheatreCompany Verity Laughton’s stage adaptation of Pip Williams’ best-selling book is a very clever realisation, writes UniSA's Russell Fewster. theconversation.com/a-journey-of-d…

"This is risk-taking theatre with a deep thematic journey," It's ★★★★ from Julian for Sydney Theatre Company's 'Is God Is', playing at the Wharf Theatre until 21st October SydneyTheatreCompany theaureview.com/arts/theatre-r…

Ahead of The Dictionary of Lost Words' world premiere on the @StateTheatreSA and SydneyTheatreCompany stages, we talk to its author, adaptor and director. limelightmagazine.com.au/features/a-wom…

Much-loved Australian actor Sigrid Thornton talks playing Irina Arkadina in SydneyTheatreCompany's The Seagull, and why risk-taking has become part of her makeup. limelightmagazine.com.au/features/a-fre…

Sarah Snook will be coming to London's West End from 6th February with "The Picture of Dorian Gray", where she plays 26 characters 🤯 #TheGNShow

"a story about female friendship, of women forging their own paths despite resistance and about the significance of words" It's ★★★★½ for SydneyTheatreCompany's The Dictionary of Lost Words - performances run until December 16th! theaureview.com/arts/theatre-r…

“There's lots of unknowns, but that's ok. I find when something’s a little bit scary, it’s a recommendation to forge ahead." Sigrid Thornton talks about her return to SydneyTheatreCompany to star in The Seagull. limelightmagazine.com.au/features/a-fre…

Best friends and stars of SydneyTheatreCompany’s recent production of Is God Is, Henrietta Enyonam Amevor and Masego Pitso, discuss bringing Aleshea Harris’ modern myth of righteous revenge to the stage and “molding into a twin blob.” Read more below. breakingcharacter.com/is-god-is-revi…

4.5 stars for SydneyTheatreCompany's new show OIL, click below to read my review! suzygoessee.com/2023/11/09/rev…

Oil. SydneyTheatreCompany Wharf 1 Theatre. Review by Martin Portus. stagewhispers.com.au/reviews/oil-1

'Oil is no morality play. No thing, character, or action here is evil in its essence; fossil fuels are just another permutation of energy, of power, which has equal capacity to enslave or emancipate.' Patrick Lau reviews Oil | SydneyTheatreCompany australianbookreview.com.au/arts-update/10…

As she prepares for one of theatre’s great roles, Sigrid Thornton chats with The Guardian on her career, gender equality and getting into character as Irina in Chekhov's THE SEAGULL – on stage now. theguardian.com/lifeandstyle/2…

Former STC Artistic Director and Australia’s greatest interpreter of Chekhov, Andrew Upton (The Present, Three Sisters) has returned to STC for the gutsy and darkly funny new adaptation of THE SEAGULL. smh.com.au/culture/theatr…

"Snook’s turn in 'The Picture of Dorian Gray' is a fabulous tour de force — cheeky, campy and captivating..." The reviews have started rolling in! washingtonpost.com/entertainment/…