Stephen Welsh
@stxwelsh
Cultural Practitioner https://t.co/IwITyRHdcS • Committee Member @HeritageFundNOR • LGBTQ+ • He-Him • My Views
ID:1586067222
https://linktr.ee/stxwelsh 11-07-2013 15:13:50
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For A Nightmare on Elm Street's 40th anniversary, we're showing the film followed by hearing from The Evolution Of Horror as they record an episode of their podcast live from the cinema!
One, two, Freddy's coming for you. Three, four, better book your tickets...
hpph.co.uk/films/a-nightm…
'[Museums] have, however, been complicit in forwarding white supremacy & a flattening & erasure of Native American people, culture & artwork through their historic–&, in cases, ongoing–collecting & display practices related to Native items.' Chadd Scott: forbes.com/sites/chaddsco…
If you're curious about what happened to working-class neighbourhoods in inner cities throughout the latter half of the 20th century, visit Salford Museum & Art Gallery's fascinating show 'Invisible Cities: Salford before, during & after redevelopment, 1952 to 1974': salfordmuseum.com/event/invisibl…
We're delighted to announce that, due to popular demand, our So We Marched! exhibition Liverpool Libraries and Information Services has been extended to Monday 24th June.
Our Coordinator Dr Greig Campbell is still providing private tours. If you're interested, please contact him on [email protected]
Thanks
Important provocation from Dr Steven Hadley 👇🏼👀
‘The question perhaps becomes not whether the arts & cultural sector can be an effective vehicle for social change, but whether it even wants to. Amid the ongoing national debate about cultural value, where are the sector’s values?’
Marge Ainsley's writing & work have always inspired me, & her most recent piece on trauma-informed research & evaluation in galleries, libraries, archives & museums is essential reading for anyone hoping to do this work in an authentic & compassionate way: margeainsley.co.uk/what-does-trau…
' ... working-class people are underrepresented in every area of arts & culture. They make up 8.4% of those working in film, TV, radio & photography, while in museums, archives & libraries, the proportion is only 5.2%.' Rachael Healy in The Guardian:
theguardian.com/inequality/art…
I couldn't think of a better way for me to wrap up the week than to spend the afternoon talking with Mosa Mashiya Mpetha about her Arts Council England #DYCP research on collaborations between African communities & cultural institutions, as well as activism in the cultural sector more broadly!
As a consultant working with Sunderland Museum & Mather & Co Ltd to design a co-creation strategy for the redevelopment, I've enjoyed learning about the meaningful co-creation that's already happening, such as Anneke Hackenbroich's work with the Young Curators:
sunderlandecho.com/lifestyle/youn…
“It’s exciting to see how ambitious organisations in Knowsley have heritage central to their plans for the future.” Shanna Lennon, Engagement Manager, talks about the impact of our Area of Focus work in the The National Lottery Heritage Fund latest blog. (1/3)
Read here 👉 heritagefund.org.uk/blogs/how-targ…
'Steven Horrocks, who runs the E Rooms, has also spoken about the challenges faced by grass-roots music venues today; recent challenges faced by other venues in Manchester & Wigan, & about Skelmersdale’s own music & culture mix ... ' Robbie MacDonald: lancs.live/news/lancashir…
Looking forward to listening to Stephen Welsh podcast on empathy in people-centred approaches to cultural
practice! artsprofessional.co.uk/magazine/artic…
In this profound & practical Clore Leadership paper, GARTH GRATRIX considers how queerness & the coastline can help build a pace-conscious arts & cultural sector & leadership capable of generating new creative & collaborative possibilities & perspectives:
cloreleadership.org/provocation_pa…
Evaluations are brimming with learning and examples of good practice. And yet they are often left collecting dust on shelves.
Writing for Arts Professional, the Centre’s Dr Emma McDowell makes the case for easier access to the wealth of untapped potential.
artsprofessional.co.uk/magazine/artic…