Spenser Dickerson (@spenserfx) 's Twitter Profile
Spenser Dickerson

@spenserfx

Product Marketing Manager | Advocate for 3D Innovation and Creative Storytelling

ID: 849397020

linkhttp://www.sdimaging.art calendar_today27-09-2012 15:00:24

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#ProjectLightTouch | Adobe MAX Sneaks 2025 | Adobe youtu.be/YqAAFX1XXY8?si… My younger Retoucher self would go crazy for this!!!

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With all the software stuff going on lately it’s refreshing to break away and just take time and look at an incredible Gaussian splat - incredible quality!

Spenser Dickerson (@spenserfx) 's Twitter Profile Photo

Ever curious to learn more about deep image rendering and compositing? Check out Raphael Rau latest tutorial on deep image composting with @otoy OctaneRender and Blackmagic Design Fusion - next level stuff that can really elevate your compositing game!

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Gaussian Splatting is pretty wild. Being able to take dense collections of assets and package them into fast, real-time splats opens up a ton of new possibilities for look-dev, previs, and interactive scenes. For this test, I built a pile of 400 skulls - roughly 40+ million

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Halloween came and went, and the pumpkins got soft, collapsed, and eventually ended up in the trash. But thanks to volumetric 3D capture, the moment doesn’t have to. Before they turned to mush, I scanned them into a full Gaussian Splat scene. Now this little lineup lives on as

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Gaussian splatting for FOOH advertising - absolutely. 🔥🔥🔥 Next week I’ll show a workflow mixing static splat captures, CG dynamics, and even a 32-bit EXR HDRI generated directly from a 360° splat. You might be (you will be!) surprised how effective this use case can be.

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If you haven’t played with the OTOY LightStage assets yet - now’s a perfect time! I’ve been digging into them lately and the quality is fantastic! Plus there are more LightStage scans landing for Black Friday. OctaneStudio+ subscribers can grab everything from the OTOY

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What’s your favorite remote software? I’ve used nearly a dozen but by far I’ve always loved AnyDesk Software I use it daily remoting from my laptops, my phone, and all my machines back and forth seamlessly. It’s the little things that make the most impact and having a great remote

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This started as a simple walk in the woods, but with Gaussian splats you can rebuild the space, reframe the shot, slow it down, speed it up, design new camera paths, or use it as a look-dev playground. It’s a new way for creatives, DPs, and designers to interact with real