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Great day yesterday back at the V&A examining more of the objects collected by Lady Charlotte Schreiber and later gifted to the V&A in 1884

Only two days left to contribute to our crowdfund to repair our 300 year old chimneys. Over 300 people have now donated, yet we still have a way to go to meet our target... crowdfunder.co.uk/p/support-denn…

More on the colours of #Meissen porcelain, with a self-referential figurine of an artist painting the cobalt blue patterns of the underglaze #Zwiebelmuster (which technically should look mud-green at this stage, before firing). #Meissenmanufaktur

Very cool job opportunity returning a Roman kiln to its original location in Highgate! jobs.cityoflondon.gov.uk

Pleased to have published some of my PhD research on The Bowes Museum in Oxford Academic Journal of the History of Collections this week: academic.oup.com/jhc/advance-ar…

Quite often linked to the imagery that appears on Dutch blue and white tiles in the 17th century, particularly those produced in Harlingen

There’s always something great to see and do at The Bowes Museum. Why not become a member today, it’s the cheapest way to visit the Museum! bit.ly/TBMBookYourVis…

📢We are so excited to announce the programme for this year’s seminar series! We've got a fantastic lineup of papers ranging in subject from textiles to dragons. First seminar is 20 Sept. @ 5 pm (online). See Eventbrite for details and to register. eventbrite.co.uk/e/material-and…

We've got some fantastic online autumn talks lined up at The Stained Glass Museum this October! You can find out more & book tickets online here: stainedglassmuseum.com/toursandlectur…

Look up! A behind-the-scenes look at museum life ✨ The iconic Dale Chihuly chandelier is shining even brighter after a recent thorough cleaning by our team. Made by Dale Chihuly and his studio team in Seattle, each separate glass element of the V&A Rotunda Chandelier was

🌟Collections Trust are offering free inclusive places at their conference this year. Follow the link below to find out more about these tickets and the conference's full programme of presentations, case studies and discussions.👇 buff.ly/3rmGmVJ

we're beyond excited to publish the #CallForPapers for The Public Country House, a two-day conference V&A in collaboration with @NationalTrust in May 2024, generously supported by The British Academy 🏛️ deadline for submissions is 2 Jan 2024, so get thinking - and pls share!

Thanks to all V&A for sharing our wonderful Brighton Museums Willet’s collection of pottery with London audiences. Launch this evening.

From chamber pots to commemorative busts: The eclectic world of Victorian pottery at the V&A ➡️ ianvisits.co.uk/articles/from-… A collection of "ordinary china" is currently filling a distant corner of the V&A museum, and its ordinariness is why it's an exhibition worth finding.

ianVisits We particularly like this bottle with the Thames Tunnel on it (left)- we have one very similar on display at the Museum (right) thebrunelmuseum.com/collection/gin…

Delighted to announce that applications are now open for a fully-funded AHRC CDP PhD studentship with me Edinburgh College of Art with V&A on The Extractive Museum: The formation, evolution & dispersal of the Museum of Practical Geology collections, 1835-c.1901 eca.ed.ac.uk/scholarship/ah…

Our CDP Connect AHRC-funded PhD is now on jobsacuk - more info here: shorturl.at/abBX4 Simona Valeriani Simon Spier EdinburghArtHistory V&A

📢 Applications are open for a fully-funded Arts and Humanities Research Council CDP Connect PhD studentship with ECA & V&A. The Extractive Museum: The formation, evolution & dispersal of the Museum of Practical Geology collections , 1835-c.1901 - details: edin.ac/3wetzab 📆 Closes 23 May

📢 Applications are open until 23 May for a fully-funded Arts and Humanities Research Council CDP Connect PhD studentship with ECA & V&A. The Extractive Museum: The formation, evolution & dispersal of the Museum of Practical Geology collections, 1835-c.1901 - details: edin.ac/3wetzab