Sim Tumay
@simtumay
Associate Producer @MSNBC
Previously: Social Video @fortunemagazine & Video and Social Reporter @Forbes
Words: @VICE @Forbes @pitchfork @gothamist
ID: 1438272045314347015
https://www.simtumay.com 15-09-2021 22:42:48
35 Tweet
274 Followers
513 Following
A story I wrote for a class with John Bennet at Columbia Journalism School on the bouncer at raysbarnyc vice.com/en/article/g5v…
Happy to have been selected by McNally Jackson to share some original poems in Elizabeth Street Garden last Sunday!
Our community is grieving the loss of a legend. John Bennet, a revered The New Yorker editor (John Bennet) and a beloved member of our adjunct faculty, died over the weekend. His colleagues and students will miss him deeply.
So lucky to have had John Bennet as a mentor and professor at Columbia Journalism School. He will be deeply missed. "If there is a mystery at the heart of someone, it's your job as a journalist to find the rosebud." - John
Kentucky tends to be written off as a lost cause, a place where people are as slow to progress as the summers are humid. But the reality is more complex. New feature for Vogue Magazine with Chiara Brown + Linnea Arden Pedersen after our sweaty summer stunt vogue.com/article/three-…
This week I graduated from Columbia Journalism School school and screened my first documentary. So grateful for everyone I’ve met along the way!
The latest piece I worked on with Eléonore Hamelin . This short-doc highlights women’s rights in the United States nearly a year after Roe v. Wade was overturned. @ElevatedAxs is an organisation with anonymous, volunteer pilots who fly patients across state borders for abortion access
It was surreal to see the documentary that I produced with Henry Zeris on the big screen! Thank you to New York Super Shorts Film Festival for selecting “The Wait” for Best Documentary Film.
I am grateful to have received the Honorable Mention from the New York International Film Awards, recognizing my documentary "The Wait" as the Best Documentary Short. My co-producer, Henry Zeris, and I worked extensively on this project to provide an intimate account of a breast