Last few days to apply for this (closes noon on Friday). Come join us - I think the show's going to be something quite special!

The islands of Kinnan & Setasea part ways for now. As this dreamy Off-Broadway chapter ends, the loopstation makes its way home to Scotland in the safe hands of @kirstyfindlay & Bethany Tennick. Thanks for having us NYC. Let’s see where the whales take Islander: A New Musical next! 🐋

Back on the stamping ground to where it all began Back on the stamping ground We come again. ⁃Runrig Ahead of première of #TheStampingGround we are sending all the love to our wonderful cast, creative team, production, marketing and our co-producers Eden Court Highlands

Lovely review from Mark Fisher for Raw Material Eden Court Highlands The Stamping Ground which we opened last night “circular stone set, made dynamic by Simon Wilkinson’s stadium-rock lighting” theguardian.com/stage/2022/jul…

Muster Station: Leith 🔊🔊🔊 Current processing times are 2 days and 18 hours. ✋ Do you accept these conditions?

"Lighting is one of the stars of the show; sharply cut light lines in turn symbolise the sea, the mountainscape or the metaphoric heartbeat of the land Thanks Pretty Scenic & James Gardner for bringing the set electrics to life Eden Court Highlands Raw Material theweereview.com/review/the-sta…

“The jagged lines that bisect the cyclorama are highlighted to great effect working hand in glove with [the] lighting design. Pulsing like the vital signals of a patient under observation; blazing red like cracks in dried out soil and even depicting waves that chase each in tune”

One last quote for Eden Court Highlands Raw Material #TheStampingGround from @AllanRadcliffe in The Times and The Sunday Times “The character & flavour of the Highland village sweltering in an uncharacteristic heatwave is beautifully evoked by @_KennethMac set design, lighting and the excellent ensemble”

Theatre at its best is a communal, shared, experience. So it was fantastic to be back at a full Eden Court Highlands for the final Raw Material The Stamping Ground with Hazel Wilkinson who makes everything possible.

We come again, to where it all began. 🥾💥 #TheStampingGround returns in 2023! Our critically-acclaimed new musical with Raw Material stamps its way back to our stage from 5 - 13 May. And the best bit - you can book your tickets now! 🎟️ bit.ly/ECTSG23

A wee preview of ‘Sarah’s Song’ - out THIS FRIDAY (6th January) 🎤

More love for #LoveBeyond! ★★★★ Scotsman Arts “Lenton's one-hour show combines tremendous depths of emotion with sheer technical brilliance” “astonishing set” “superb lighting” “a searching and beautiful score” Read joycemcmillan full review: scotsman.com/arts-and-cultu… 📷 Tommy Ga-Ken Wan 溫嘉勤

Checking the ETCInc lighting show file for ⁦Raw Material⁩ Eden Court Highlands The Stamping Ground ⁦⁩ as the train passes through the Highland landscapes that inspired it.

Recreation assisted by documentation from MovingLightAssistant & Artificers Stamp, and coffee. Lots of coffee.

LOVE THE SINNER TRON THEATRE has received fabulous reviews, with lighting design by our fantastic SIMON WILKINSON and set and costume design by our brilliant ALISA KALYANOVA. See what the reviewers are saying below! 👇👇👇 Vanishing Point

I spent a lovely couple of days lighting this at the end of last week. It’s a fantastic, moving show with some beautiful storytelling and musicianship.