Sam Wetherell(@samwetherell) 's Twitter Profileg
Sam Wetherell

@samwetherell

Historian of Britain and the World at the University of York. Interested in cities, art-making and the future. Writing a book about Liverpool.

ID:241507483

linkhttps://www.samwetherell.com/ calendar_today22-01-2011 12:31:29

8,4K Tweets

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Sam Wetherell(@samwetherell) 's Twitter Profile Photo

As always, Eskandar Sadeghi-Boroujerdi is the person to read on the history of modern Iran and the present regional crisis. newleftreview.org/sidecar/posts/…

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Sam Wetherell(@samwetherell) 's Twitter Profile Photo

At Urban History (Urban History Group) we are hiring an early modern book reviews editor! If you would like join a fantastic team, earn an annual stipend and shape the present and future of urban history then you can apply here: cambridge.org/core/services/…

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Journal of British Studies(@JBritishStudies) 's Twitter Profile Photo

Sam Wetherell, “Sowing Seeds: Garden Festivals and the Remaking of British Cities after Deindustrialization.” (2022) cambridge.org/core/journals/…

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Tionne(@tionneparris) 's Twitter Profile Photo

So excited to share that I've won the 2024 Olivette Otele Prize, for an essay titled 'Black Women Radicals and Networks of Transnational Resistance in the Twentieth-Century' ✊🏾🏆

I can't wait to talk more about my work! Please check out the thread below for more details 👇🏾

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Kim A. Wagner(@KimAtiWagner) 's Twitter Profile Photo

Just received the first copies of 'Massacre in the Clouds' - by far the hardest book I've worked on. It uncovers the story of the Bud Dajo Massacre through a single photograph and as such the book itself can be considered a 100.000-word caption.

Just received the first copies of 'Massacre in the Clouds' - by far the hardest book I've worked on. It uncovers the story of the Bud Dajo Massacre through a single photograph and as such the book itself can be considered a 100.000-word caption.
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Sam Wetherell(@samwetherell) 's Twitter Profile Photo

In the early 1990s an experimental community arts programme in Liverpool asked working class children how often they danced and what moment from their life they wished they had on film.

In the early 1990s an experimental community arts programme in Liverpool asked working class children how often they danced and what moment from their life they wished they had on film.
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