New #podcast! I just can't seem to quit Paul Leonard-Morgan, since he's back on the pod for his third go-round to talk about his fruitful collaborations with Errol Morris and Phillip Glass, THE PIGEON TUNNEL, and what exactly a cimbalom is: open.spotify.com/episode/6ftECB…

Speaking of podcasts - thanks to Right on Cue for having me on to talk about my work on #ThePigeonTunnel soundtrack for Errol Morris.

New #podcast! I was thrilled to speak to Dave Porter about shifting from BREAKING BAD to the MCU, filling the musical spaces in a show with a Deaf protagonist, and coordinating with Native artists and vocalists to build the sound of Disney+'s #Echo: open.spotify.com/episode/6nbggh…

Laurie Johnson, composer of THE AVENGERS, DR. STRANGELOVE, and THIS IS YOUR LIFE, has passed away at 96. Johnson also assisted Bernard Herrmann with conducting the score for Brian De Palma's OBSESSION (1976) and adapted Herrmann's music for Larry Cohen’s IT LIVES AGAIN (1978).

Congrats to prior podcast guests Laura Karpman and Jerskin Fendrix for their #Oscars2024 nominations!

Superb choice - one of a small handful of people who really made game music what it is today.

Thank you Library of Congress for including the show as part of your film music research guide! guides.loc.gov/film-music/com…

Season 5 Episode 5 | Carlos Rafael Rivera has a cookie for ya With two new shows out in ‘Griselda’ (Netflix) and ‘Monsieur Spade’ (AMC), @composer313 joins to discuss his musical approaches for both scores and reflects on ‘The Queen’s Gambit’ being in the Netflix Top 5 all-time.

All of Us Strangers is out today in UK cinema! With an original score by yours truly 🤍

On @alexjweston's soaring score for #Expats, rhythmic guitars, gentle piano and distinctive motifs soundtrack the complex lives of Hong Kong's expatriate community as they converge around a life-altering event…

New #podcast! SALTBURN composer @anthonyBwillis talks about his longtime friendship and collaboration with Emerald Fennell, and building the social thriller's brittle clash between Gothic opulence and 2000s-era hedonism: open.spotify.com/episode/6fMLiP…

If we're talking Bond, I've got such a soft spot for THE LIVING DAYLIGHTS. Non Bond? Gotta be this for me: youtu.be/piVD5ND0DrI?si…

New #podcast! I had thd thrill of a lifetime talking to Carlos Rafael Rivera about music, who composers should score for (the characters or the audience), and his moody, multifaceted scores to GRISELDA and MONSIEUR Spade. Don't miss this one! open.spotify.com/episode/6havrz…

Seriously one of the most fun, insightful and broad-reaching convos I've had on this podcast - touching everything from craft to personal musical history to the principles by which film and TV music are made. Please listen and share this one!

New #podcast! In the wake of #TrueDetectiveNightCountry's finale, I sat down with composer vince pope to talk about the show's atmospheric sound, incorporating Native instruments and vocalists, and the struggle to get that finale cue just right: open.spotify.com/episode/7Jn2Rg…

HUGE SOUNDTRACK CD SALE going live in less than 24 hours—at 10AM on Tuesday 2/27/24. See you then! lukaskendall.com/post/huge-cd-s…

So flattered when Marshall Shaffer asked to interview me for his Substack about Right on Cue, my love of film scores, and the surprisingly solid state of the Best Original Score Oscar race. Give it a read! substack.com/home/post/p-14…

Congrats to Ludwig Gorannsson for winning Best Score for OPPENHEIMER! #Oscars2024

New #podcast! TV legend Mike Post graciously talks to us about his decades-long hot streak scoring the Law & Order franchise, as well as his riveting pair of Americana suites, MESSAGE FROM THE MOUNTAINS & ECHOES OF THE DELTA. open.spotify.com/episode/7auIPG…