Here is the 🧵 for the proposal that I applied for the wildcard proposal of the pr05-grant (new grant and mentorship initiative by the Processing Foundation). Though it was not accepted. I was thinking of developing a library consisting of advanced path manipulation functions

Glyphshift (2024)

そして平面が立ち上がり立方体のグリッドになった。(2/7)

Day 12

Disgusted at art education for pushing the clichéd dogma that Art ≡ a bag of symbols that expresses how the artist "feels". Uggh—save it. It's fine if that's how someone happens to work, but that is SUCH a narrow definition of human creative effort.

cube net tiles

I am thrilled to announce "Paratext", opening this Sat with Ames Yavuz gallery in Singapore 💫 With artists emily edelman jo Raven Kwok Kapilan Naidu Kian Peng and Andreas Schlegel Sasha Stiles | AI alter ego Technelegy ✍️🤖, exploring ways of engaging with text as image–as symbols, as signs, as poetry

My work Glyphshift (2024) [0] ~ [5] is on exhibit at Ames Yavuz Singapore from today to Aug 17. It is part of the group exhibition Paratext curated by Clara . I will also be there in person on Jul 27 for the artist talk. Come say hi :) 🥂

Incredible turnout last night at the opening of “Paratext” at Ames Yavuz, curated by me, presenting the works of emily edelman jo Kapilan Naidu Andreas Schlegel Raven Kwok Sasha Stiles | AI alter ego Technelegy ✍️🤖 and Ong Kian Peng 💚

'Glypshift' by Raven Kwok is a real-time generative artwork that you can interact with. Simply type whatever you like, and the artist will reinterpret and transform your input into different forms and shapes.

Rube Goldberg HTML form! Tbh I spent way too much time on this one haha. As fun as it is useless :) Live demo & source code: codepen.io/ksenia-k/full/… Hosted on CodePen.IO Made with #GSAP GSAP

Geometry emerges through movement.

Honoured to be part of ‘Paratext’ at Ames Yavuz, curated by Clara featuring: Raven Kwok , emily edelman , Jo Ho , Kapilan Naidu , Andreas Schlegel, and Sasha Stiles | AI alter ego Technelegy ✍️🤖 ongkianpeng.art/Cloud-Scripts-…

deconstruction

Doing frustum calibration with some patterns I programmed on a crazy cylinder LED setup at UFO Terminal in Shanghai.

Weighted, color-inverted, then finetuned the dragon curve tiles piece created earlier this year. It will be exhibited at Foundry, Dubai this coming September.

Touch Glass is now live Shiv 🌿 #creativecoding #particles Exhibited at @responsivedreams festival in Barcelona with The Generative Art Museum on 5-7th Sept

Collaborated with 3ASiC again on this new audiovisual piece "1D985". Did a test run earlier today at UFO Terminal.

The core generative system for this piece was created in late 2021, for a Netflix documentary project I was working on, but fundamentally can be further traced back to "189D0"(vimeo.com/ravenkwok/189d0) in 2016.