Lorenzo Porcaro (@porcaro_lorenzo) 's Twitter Profile
Lorenzo Porcaro

@porcaro_lorenzo

Research Scientist - European Centre for Algorithmic Transparency (ECAT, JRC EC) ยฆ| he/him ||| Own opinions

ID: 3300745433

linkhttps://lorenzoporcaro.me calendar_today27-05-2015 18:48:53

516 Tweet

733 Followers

1,1K Following

European Workshop on Algorithmic Fairness (@ewafworkshop) 's Twitter Profile Photo

๐Ÿšจ #EWAF24 ๐Ÿšจ Very excited to announce that the 3rd edition of the European Workshop on Algorithmic Fairness will take place next year July 1 - 3 in Mainz, Germany ๐Ÿ‡ฉ๐Ÿ‡ช๐Ÿ‡ช๐Ÿ‡บ๐Ÿค– cfp: 15th of March ๐Ÿ‘€ Stay tune for more information after the break โ˜ƒ๏ธ ๐Ÿ–ฅ๏ธ: 2024.ewaf.org/home

Italian Music Tech (ITMT) (@it_musictech) 's Twitter Profile Photo

๐™๐™š๐™–๐™™๐™ฎ ๐™ฉ๐™ค ๐™ฅ๐™ง๐™ค๐™ข๐™ฅ๐™ฉ ๐™ฎ๐™ค๐™ช๐™ง ๐™ข๐™ช๐™จ๐™ž๐™˜? Nuovo appuntamento con la #MusicPromptBattle, e questa volta voliamo all'estero e vi aspettiamo all'evento organizzato da Digital Fems โ˜‚๏ธ a Barcelona, domani 1 Marzo alle ore 17:00. More info ---> bit.ly/Canodrom8M

๐™๐™š๐™–๐™™๐™ฎ ๐™ฉ๐™ค ๐™ฅ๐™ง๐™ค๐™ข๐™ฅ๐™ฉ ๐™ฎ๐™ค๐™ช๐™ง ๐™ข๐™ช๐™จ๐™ž๐™˜? Nuovo appuntamento con la #MusicPromptBattle, e questa volta voliamo all'estero e vi aspettiamo all'evento organizzato da <a href="/DigitalFems/">Digital Fems โ˜‚๏ธ</a> a Barcelona, domani 1 Marzo alle ore 17:00. More info ---&gt; bit.ly/Canodrom8M
Emilia Gomez (@emiliagogu) 's Twitter Profile Photo

Happy to share our new study on the impact of #socialmedia on #MentalHealth in #adolescents by Arianna Sala, Lorenzo Porcaro and myself as part of #humaint #ECAT EU_ScienceHub. We carried out an #umbrellareview 2015-2023 screening 1470 scientific publications. Summary: 1/4

Emilia Gomez (@emiliagogu) 's Twitter Profile Photo

Tempo (= music genre) range 80-116 bpm banned as a cultural policy. An example of the social and cultural impact of music recommender systems #MusicIR #humaint Christine Bauer Lorenzo Porcaro . djmag.com/news/chechnya-โ€ฆ

MuRS Workshop @ RecSys2024 (@murs_ws) 's Twitter Profile Photo

โš ๏ธโš ๏ธ Callย forย Papers is out โš ๏ธโš ๏ธ 2nd edition of MuRS - Music Recommender Systems Workshop. Paper submission: ** August 2nd, 2024 ** More info: sites.google.com/view/murs-2024โ€ฆ

ACM RecSys (@acmrecsys) 's Twitter Profile Photo

Registrations for the RecSys Summer School #RSSS2024 are now open! The summer school will take place Oct 8-12 (the week before #RecSys2024), so you can stay on to enjoy the ๐ŸŒž and๐Ÿ–๏ธ๐Ÿฉด for two whole weeks ๐Ÿ˜ Oh, and the program is awesome too ๐Ÿ˜‰ ๐Ÿ‘‰acmrecsys.github.io/rsss2024/

MuRS Workshop @ RecSys2024 (@murs_ws) 's Twitter Profile Photo

๐Ÿš€ Excited to announce our keynote speaker: ๐๐š๐ง๐œ๐ฒ ๐๐š๐ฒ๐ฆ, Principal Researcher at Microsoft Research New England, will share her insights on how technology affects the relationship between fans and artists. Donโ€™t miss it: ๐Ÿ“… 14/10/2024 ACM RecSys sites.google.com/view/murs-2024โ€ฆ

MuRS Workshop @ RecSys2024 (@murs_ws) 's Twitter Profile Photo

ACM RecSys Fair Recommendation RecSys in HR Workshop Deadline extended for MuRS Workshop @ RecSys2024 until ***August 5th (AoE)*** โš ๏ธRemember to make the initial submission by August 2nd (AoE) โš ๏ธ sites.google.com/view/murs-2024โ€ฆ

MuRS Workshop @ RecSys2024 (@murs_ws) 's Twitter Profile Photo

-3 weeks to the 2nd Workshop on Music Recommender Systems, and we are happy to announce the list of accepted contributions to this year's edition (all the preprints are already online sites.google.com/view/murs-2024โ€ฆ). ๐Ÿงต Let's unroll it:

MuRS Workshop @ RecSys2024 (@murs_ws) 's Twitter Profile Photo

-2 weeks to the 2nd Workshop on Music Recommender Systems, where we are glad to have Dr. Nancy Baym as keynote speaker, author of the book "Playing to the Crowd: Musicians, Audiences, and the Intimate Work of Connection" (NYU Press). You can find it OA: jstor.org/stable/j.ctv12โ€ฆ

-2  weeks to the 2nd Workshop on Music Recommender Systems, where we are glad to have Dr. Nancy Baym as keynote speaker, author of the book "Playing to the Crowd: Musicians, Audiences, and the Intimate Work of  Connection" (NYU Press). You can find it OA:
 jstor.org/stable/j.ctv12โ€ฆ