After 7 years (and 500,000+ words!), wrote the very last edition of my gay little @cbc column today: cbc.ca/arts/queeries-…

So grateful to you and QUEERIES for giving so much space, consideration and love to queer art / artists in Canada (and beyond).

Peter Knegt is the 🐐. so proud of everything he accomplished with this column.

Congrats on an incredible run Peter!

Gay comedy may very well have peaked with this scene

Am going to bring this photo to my doctor and say that I’d like a cocktail of anti depressants that will make me feel like Demi Moore’s dog Pilaf felt after seeing Sunset Blvd please

The third episode of DISCLAIMER:

If the only thing I accomplished in 2024 is obtaining this somehow still available email address the second I walked out of The Substance, that’s enough for me. Also this is the only way you can contact me now

We at the Review mourn the loss of Gary Indiana (1950–2024). In celebration of his life and work, we’ve unlocked his Art of Fiction interview from our archive. theparisreview.org/interviews/785…

I think the lesson to learn from Gary Indiana is that you have to know what you love before you can hate everything else. Most people try to do it the other way around

RIP to the great Gary Indiana, who wrote many brilliant essays for Film Comment over the years—including this 2004 feature on the films of Pedro Almodóvar, timed to the release of BAD EDUCATION. filmcomment.com/article/intern…

Happy Emilia Pérez release day! (I’m kidding it’s a very bad movie that’s quickly becoming my awards season villain): cbc.ca/arts/oscars-my…

Honestly really love being greeted by her when I get home it makes me feel safe and loved