Johnny Roots (@painter641) 's Twitter Profile
Johnny Roots

@painter641

no porn.. no phallophobia.. only male art

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calendar_today20-01-2024 15:45:26

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Johnny Roots (@painter641) 's Twitter Profile Photo

Thomas Lawrence (1769 -1830) es considerado como uno de los mejores #retratistas ingleses de su generación. Niño prodigio, fue casi por entero autodidacta, aunque pasó algún tiempo como alumno en la Royal Academy de Londres. Satan summoning his Legions, 1796-1797

Thomas Lawrence 
(1769 -1830) es considerado como uno de los mejores #retratistas ingleses de su generación. Niño prodigio, fue casi por entero autodidacta, aunque pasó algún tiempo como alumno en la Royal Academy de Londres.

Satan summoning his Legions, 
1796-1797
Artistic Male (@maleartistic) 's Twitter Profile Photo

Fallen (Oil on Panel) by John Tarantola, 2017. John Tarantola's original nude portrait 'Fallen' is a beautiful surrealist oil on panel painting that depicts an athletic nude male figure crawling forward weary through a desolate desert, towards a distant storm. A skull rests to

Fallen (Oil on Panel) by John Tarantola, 2017.

John Tarantola's original nude portrait 'Fallen' is a beautiful surrealist oil on panel painting that depicts an athletic nude male figure crawling forward weary through a desolate desert, towards a distant storm. A skull rests to
Johnny Roots (@painter641) 's Twitter Profile Photo

[sin título], óleo sobre lienzo, 82x65cm, por el artista gallego Alfonso Costa Beiro (n. 1943, Noia, A Coruña), 2005 Colección de Arte Afundación, Vigo

[sin título], óleo sobre lienzo, 82x65cm, por el artista gallego Alfonso Costa Beiro (n. 1943, Noia, A Coruña), 2005

Colección de Arte Afundación, Vigo
Johnny Roots (@painter641) 's Twitter Profile Photo

Desnudo masculino de pie Hermanus Fock (mencionado en el objeto), 1780 - 1822 Desnudo masculino de pie. No. 96. Tipo de obra: dibujo Número de artículo: RP-T-FM-232 Dimensiones: Alto 528 mm x Ancho 295 mm Características físicas: Tiza blanca y negra sobre papel azul.

Desnudo masculino de pie
Hermanus Fock (mencionado en el objeto), 1780 - 1822

Desnudo masculino de pie. No. 96.
Tipo de obra: dibujo
Número de artículo: RP-T-FM-232
Dimensiones: Alto 528 mm x Ancho 295 mm
Características físicas: Tiza blanca y negra sobre papel azul.
Kagemasama (@kagemasama) 's Twitter Profile Photo

goon friday, guys. i don't really know a lot about love... but you're in my head, you're in my blood & it feels so good, it hurts so much.

goon friday, guys. i don't really know a lot about love... but you're in my head, you're in my blood & it feels so good, it hurts so much.
Johnny Roots (@painter641) 's Twitter Profile Photo

Phillip Gladstone. New: "Tossed"; acrylic with mixed-media on panel, 10 by 10 inches Original available on my website philipgladstonestudio.com/pg-studio-stor…

Phillip Gladstone.

New: "Tossed"; acrylic with mixed-media on panel, 10 by 10 inches
Original available on my website philipgladstonestudio.com/pg-studio-stor…
Johnny Roots (@painter641) 's Twitter Profile Photo

Ivan Bubentcov. "Young man in a wet shirt" watercolor & Color pencil youtu.be/FxS2dRi_mKk #sketch #gay #gaysketch #draw #gaycomics #comics #gayart #gayillustration #bybentcov #ivanbubentcov #gaydrawing #gayart #gayillustration #illustration #gaydraw #ivanofrussia

Ivan Bubentcov.

"Young man in a wet shirt" watercolor & Color pencil 
youtu.be/FxS2dRi_mKk

#sketch  #gay  #gaysketch  #draw  #gaycomics #comics   #gayart  #gayillustration  #bybentcov  #ivanbubentcov #gaydrawing #gayart #gayillustration 
#illustration #gaydraw #ivanofrussia
Johnny Roots (@painter641) 's Twitter Profile Photo

A Christ Crucified, 1640, by Alonso Cano, presents a rare representation of Christ crucified in the nude, devoid of any physical suffering. This small canvas, dated to around 1640, shortly after Cano's arrival in Madrid, showcases his distinctive style.

A Christ Crucified, 1640, by Alonso Cano, presents a rare representation of Christ crucified in the nude, devoid of any physical suffering. This small canvas, dated to around 1640, shortly after Cano's arrival in Madrid, showcases his distinctive style.