Wonderful recording; dream grouping of composer, performer and listener. (Do not skip the notes.)

Great Q&A on the hcmf// website. Huge thanks to Rebecca & Tim Rutherford-Johnson for taking the time to do this. Still some tickets remaining for the U.K. premieres of Saunders Skull Oslo Sinfonietta Sat 18 Nov & Us Dead Talk Love Ensemble Nikel

Loved doing this - cats and all!

"Bára Gísladóttir has become one of music’s most fearless low-end explorers." Tim Rutherford-Johnson profiles the eminent Icelandic bassist and composer in our latest artist feature, ahead of her world premiere with Riot Ensemble at hcmf// 2023. Read the article online here: hcmf.co.uk/bass-desires-b…

This was really fun. Thanks so much to Žibuoklė and Georgia Wells for their time and brilliant answers. We go again tomorrow with @lizalimcomposer at 11.30am!

Love this piece!

Out NOW on bandcamp: coviellocontemporary.bandcamp.com/album/ctrl-abs…

Really looking forward to this new stage for the group!

Shamelessly using #InternationalWomensDay as an excuse to write about my favourite composers! Today: a round up of some major new works coming up this year, from Hannah Kendall, Clara Iannotta, Lisa Streich and others... Bachtrack Tectonics Glasgow bachtrack.com/preview-women-…

I asked Tim Rutherford-Johnson to write this interview feature with Liza Lim, who has several major new works coming up this year, including a new Cello Concerto for Nicolas Altstaedt bachtrack.com/interview-liza…

My first week at Goldsmiths (1998), just down the road from here, I borrowed a copy of Cage's Silence from the college library. Inside was a bookmark made from a photo of this clock tower, the two clocks showing different times. I've landed in the right place, I thought.

This beautiful, detailed and insightful review of our PatriciaAlessandrini disc from Arnold Whittall for Gramophone ❤️ Thank you for the attentive listening and for the shout-out to our writer Tim Rutherford-Johnson for the fantastic liner notes! 📖 gramophone.co.uk/review/alessan…

Omg, saw them support Spiritualized at Shepherd's Bush back in the day. One of the loudest things I've ever heard, think I cracked a rib on the bass.

Explore the Computer-Assisted Composition (CAC) processes employed in recent compositions by Patricia Alessandrini and the aesthetic motivations for their use. Read this free chapter by PatriciaAlessandrini and Tim Rutherford-Johnson now: oxford.ly/44hg6Lv

This article on computer -assisted composition processes in my music, co authored with Tim Rutherford-Johnson , is now available for free access from Oxford Academic.

Shout-out to all the Gen X dads putting on Heroes to pick their kids up from today's History GCSE.

Curious about our work with Bára Gísladóttir and why she has an affinity for the harpsichord (and for Goska Isphording)? Head to our YouTube channel for a little #documentary that was shot as we prepared for the premiere of her latest piece for us at hcmf// last year 🌙 tinyurl.com/riotmoon

Pleasure to talk to one of the genuine greats for this.