
meara sharma
@mearasharma
writer, artist, editor, producer
ID: 320996526
https://mearasharma.com/ 20-06-2011 21:22:04
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So grateful to be embarking on this with the incredible meara sharma and a very dreamy band of contributing editors and artists, incl. Jaquira Diaz, Amanda Gunn, Jia Sung 宋佳瑜, Laura van den Berg, Amber Sparks, and other brilliant human beings. First issue coming at you in spring 2025.


oh, thank you so much for your wonderful support and for wanting to read strange things that mess with time and space. You can follow Elastic magazine on here and sign up for updates over at elasticmag.com

I am so thrilled to be working with treasured friend and brilliant editorial mind Hillary Brenhouse on a NEW MAGAZINE of psychedelic art and literature.... follow Elastic magazine and stay tuned for its glorious arrival in spring 2025 💫 💫 💫 lithub.com/expand-your-mi…

excited to have a new short story in the Washington Square Review (Washington Square Review) ! it is an unhinged tale of creative desperation.... featuring cougars, turbomachinery, clawfoot tubs & more washingtonsquarereview.com/meara-sharma

“As she continues to do anything but write her essay, Annabel’s fixation on the sonnets transmutes into a broader ethic of attention.” meara sharma reviews Rosalind Brown's debut novel, “Practice.” lareviewofbooks.org/article/thick-…

was a pleasure to think about why artists keep making art, paths forged by desire, and Stacey D'Erasmo's new book, for the The Washington Post: washingtonpost.com/books/2024/07/…

I spoke to Olympics Musical Director Victor Le Masne about that opening ceremony for The Guardian theguardian.com/music/article/…

Bharti Kher, Yorkshire Sculpture Park Yorkshire Sculpture Park review by meara sharma — magical transformations of glass into gold. The British-Indian artist draws on politics, religious traditions and her cultural heritage to make works of subtle power. ft.com/content/967e62… via @ft

crushed cars, melted bangles, banana-headed djinns... a visceral delight to write about Bharti Kher's alchemical art practice for the Financial Times ft.com/content/967e62…

Me on kedgeree, food doppelgängers, and the pleasures of inauthenticity, for Factory International factoryinternational.org/factoryplus/ed…

"Trajectories of success, as Walrond’s story demonstrates, are usually at odds with the vicissitudes of life, and the restlessness and changeability that tend to define creative people." —meara sharma’s essay on the Caribbean author Eric Walrond thebeliever.net/the-radiant-fo…

Two weeks left to submit to this wild ride of a first issue, send us the stuff you thought was too strange for the other lit mags, we don't give a damn about genre, linear time is a construct, [email protected]


So thrilled that this AWP panel on experiments in time across genres has been accepted — and excited to be in conversation with the brilliant Elissa Washuta, Jaquira Díaz, sasha fletcher, and @shzehuitjoa. Also, Elastic magazine will debut in LA, holy shit.


"...a fur trapper blinded by yellow snow, a leprechaun masturbating into pancake batter, an intellectual dog, a fraudulent mystery man selling Nirvana." in which Rudi Zygadlo is good at writing about music. Plus, a word that will now enter my daily vocabulary (Anemoia)

“Behind the souvenirs and the cinemas, the fast food and the flashing lights, that which actually surrounds you... has been disciplined into a backdrop.” —meara sharma reflects on Land’s End, a scenic and historic site turned tourist trap thebeliever.net/sacrifice-zone…

“It’s refreshing to see an institutional show trust in the implicit power of artworks to produce feeling and meaning, and trust in the audience to find their own way through.” Gorgeous piece by meara sharma on a gorgeous show: artforum.com/events/imagina…