Martin Creed, 'Work No. 203: EVERYTHING IS GOING TO BE ALRIGHT,' 1999. ‘The neon says everything is going to be alright but the art is not so sure.’ Dave Beech, ‘Reviews: Martin Creed’, Art Monthly, May 1999.

WOW! So honored that the catalogue for ‘The Sculpture of William Edmondson: Tombstones, Garden Ornaments, and Stonework,’ (Vanderbilt University Press) has been awarded the 2022 LoPresti Art Publication award from the SE Chapter of Art Libraries Society of North America! southeast.arlisna.hcommons.org/awards/loprest…

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My hastily taken photos from the opening yesterday do little to convey the immersive, atmospheric beauty of ‘Exact Dutch Yellow’ by Luftwerk, an exhibition that rewards slow looking and deep thought. Well worth a visit (or five) and now open Chicago Cultural Center

Happy 🎃 (also Delia’s sculpture is pretty good)…

A little bit spooky and unfortunately still a little too relevant (sixty years later)… Edward Kienholz, ‘The Illegal Operation,’ 1962 LACMA

Happy birthday to Richard Serra, whose work changed my life… 📷 my visit to New Zealand in 2006 to see his nearly 800ft long, ‘Te Tuhirangi Contour,’ (1999/ 2001)

Hey Omaha, I will be in town for some events related to 'Richard Hunt: Monumental' at KANEKO, including a talk, 'The Value of Public Art Today: Richard Hunt in Omaha,' co-sponsored by University of Nebraska-Omaha. thekaneko.org/programs/lectu…

New in Observations: “What, Exactly, is Exact Dutch Yellow?” Text by Dr. Marin R. Sullivan on the exhibition “Exact Dutch Yellow” by Petra Bachmaier and Sean Gallero of Luftwerk. The exhibit, organized by Chicago DCASE, is on view at the Chicago Cultural Center. mascontext.com/observations/w…