Sarah Moosvi (@m00sv1) 's Twitter Profile
Sarah Moosvi

@m00sv1

ID: 296560105

linkhttp://tdc.art calendar_today11-05-2011 00:31:07

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Sarah Moosvi (@m00sv1) 's Twitter Profile Photo

A token and timestamp on a continual chain of inspiration, from my youth standing in awe of The Fire that Consumes All before It, through sharing space during the launch of theVERSEverse, to this work, which stops me from scrolling each time I encounter it and unlocks the door

p1xelfool (@p1xelfool) 's Twitter Profile Photo

I miss the useless webpages. The terrible to navigate that followed no UX standards webpages. I miss the non performance-driven little websites that could care less about the best pratices to get more clicks. The memory-eating Flash animated portfolios.

Catsuka (@catsuka) 's Twitter Profile Photo

Special animation drawn & risograph printed by Zack Lydon for the screening of "Sirocco and the Kingdom of the Winds" french movie (by Benoît Chieux) at SIFF (Seattle International Film Festival). siff.net/festival/siroc… x.com/catsuka/status…

Art Basel (@artbasel) 's Twitter Profile Photo

Sasha Stiles on how technology renews our relationship with storytelling For the artist and poet, collaborating with AI offers a portal to new expression: bit.ly/3UAOL2i

Sasha Stiles on how technology renews our relationship with storytelling

For the artist and poet, collaborating with AI offers a portal to new expression: bit.ly/3UAOL2i
New York Times Arts (@nytimesarts) 's Twitter Profile Photo

The dark, sumptuous virtual worlds of the artist Auriea Harvey, whose 30-year retrospective is on view at the Museum of the Moving Image in Astoria, infused the field of digital art with intimacy and exploration. nyti.ms/3XccEjz

New Gallery (@newgallerytokyo) 's Twitter Profile Photo

【 interview 】 夜間のみの仮設“展”舗 「CCMS experiment OBON」 コヤマシゲト&草野剛インタビュー newgallery-tokyo.com/special_featur… #CCMSOBON をよりお楽しみいただけるインタビュー記事を公開しました👻 text by namahoge namahoge

【 interview 】

夜間のみの仮設“展”舗
「CCMS experiment OBON」
コヤマシゲト&草野剛インタビュー
newgallery-tokyo.com/special_featur…

#CCMSOBON をよりお楽しみいただけるインタビュー記事を公開しました👻 

text by namahoge <a href="/namahoge_f/">namahoge</a>
Mat Dryhurst (@matdryhurst) 's Twitter Profile Photo

I think this piece gets a lot right I find the most risk in committing to arduous conceptually challenging projects, and not attempting to contort a practice to whatever the feed is animated about. Artists and institutions alike are encouraged to be reactive, or court

Regina Harsanyi (@reginaharsanyi) 's Twitter Profile Photo

Hustwit and Dawes' ENO shouldn't be written off as arthouse. Its editing ideologies have the potential for wide adoption in the commercial film industry. It doesn't feel like a blip. It's also a hell of a lot more idiomatic to cinema and substantive than theme park-like gimmicks

Regina Harsanyi (@reginaharsanyi) 's Twitter Profile Photo

I’m so happy to finally share the FREE, downloadable Exhibition Reader Museum of the Moving Image has put together for Auriea-bot ’s show with all of you! movingimage.org/auriea-harvey-…