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Endless Present: Kate Noakes reviews a generous selection of articles and reviews by Rory Waterman: londongrip.co.uk/2025/07/endles…

Poetry review – Try to Find Me: Sue Wallace-Shaddad discovers that Tessa Foley’s poetry takes her to unfamiliar places: londongrip.co.uk/2025/07/london…

Poetry review – Secret Codes: Jennifer Johnson enjoys and is intrigued by an element of mystery in Marian Eastwood’s poems: londongrip.co.uk/2025/07/london…

House of Haberdash: Ben Philipps visits a multi-media – text and textiles – at the Torriano Meeting House: londongrip.co.uk/2025/07/house-…

Poetry review – Eurydice in the Ruined House: Pat Edwards commends Anna Saunders’ use of Greek myth to illuminate contemporary situations: londongrip.co.uk/2025/07/london…

Much Ado About Nothing. Review by Barbara Lewis. “Much Ado About Nothing” in the “humble opinion” of Associate Director Mark Collier is the perfect comedy: londongrip.co.uk/2025/07/much-a…

Poetry review – The Elimination Game: Diana Cant admires Mary Mulholland’s frank and eloquent ways of dealing with issues of ageing: londongrip.co.uk/2025/07/london…

Poetry review – The Hum Hearers: Chris Konrad finds Shey Marque’s new collection to be a search for the irreducible essence at the centre of what we call life: londongrip.co.uk/2025/07/london…

Poetry review – The Opposite of Swedish Death Cleaning: Mat Riches enjoys Alison Binney’s deft handling and close examination of familiar subjects: londongrip.co.uk/2025/07/london…

Poetry review – Trembling Earth: Jennifer Johnson is moved by Finola Scott’s gentle poetry full of concern for our threatened environment: londongrip.co.uk/2025/07/london…

The Man Who Would be King. Review by Alan Price. Both the novella and film of The Man Who Would Be King have been described as a ripping yarn but that expression has lost some of its charm and romance: londongrip.co.uk/2025/07/the-ma…

Poetry review – Cell: Nick Cooke takes a serious look at the very serious themes addressed in a powerful new collection by Ruth O’Callaghan: londongrip.co.uk/2025/07/london…

New York, New York. Review by Alan Price. The bad bits of New York, New York make you cringe. The good bits have you cheering out loud in praise. It’s flawed, meandering, joyful and downbeat and never quite the sum of all its parts: londongrip.co.uk/2025/07/new-yo…

Poetry review – Diamonds & Rust: Charles Rammelkamp engages with Catalina Vergara’s love poem both in its original Spanish and as rendered in English by Tiffany Troy: londongrip.co.uk/2025/07/london…

Testament. Review by Barbara Lewis. Green Opera’s aim is to put sustainability and nature at its core, while redefining opera for a new era in which art and environmental consciousness unite: londongrip.co.uk/2025/07/testam…

Wild Boar: Alex Josephy is intrigued by an enigmatic and poetic first novel by Hannah Lutz which is deeply concerned about the climate crisis: londongrip.co.uk/2025/07/wild-b…

Poetry review – The Screw City Poems: Charles Rammelkamp enjoys dipping into a comprehensive New & Selected from Richard Vargas: londongrip.co.uk/2025/07/london…

Zoltan Huszarik box set. Review by Alan Price. The great pleasure of this box set is to discover the remarkable work of a Hungarian director whose films have sadly slipped off the radar: londongrip.co.uk/2025/07/zoltan…

Death Comes to Pemberley. Review by Barbara Lewis. “Jane Austen wrote six novels, pretty much all about the same sort of thing,” declares the programme note to P.D. James’ artful sequel to possibly the most popular of the six: londongrip.co.uk/2025/07/death-…

Charterhouse Tour. Review by Barbara Lewis. An inspired condition of a National Heritage Lottery Fund grant, was that the Charterhouse, whose origins date back to the Black Death of the 14th-century, should open its doors to the public: londongrip.co.uk/2025/07/charte…