#BarryBostwick is coming to Hot Springs, and he'd be happy to sign your underwear. arktimes.com/entertainment/…

“I’ve never worn masks to marches before because they’re stuffy and I look good,” Clare Fok, 43, said through a gray face mask, with a pair of aviator sunglasses hiding her eyes. “We are deliberately wearing masks today because we can’t accept the ban.” nytimes.com/2019/10/05/wor…

Tune into Arts and Answers on WKCR-FM NY tonight at 9:30 for Beckett's guide to the plague, as relayed by director Scott Elliott The New Group John Leguizamo Black Thought #ethanhawke #wallaceshawn

Before reading Merry Me, I had never imagined that a sex pun could be made of Shakespeare’s name — and if that’s not recommendation enough, it's a lesbian sex comedy in which Willy finds himself cuckholded. I wrote about it for The Brooklyn Rail tinyurl.com/yvfrh29h New York Theatre Workshop

The meditative, hypnotic “Corps Extrême,” at the Brooklyn Academy of Music, marks the long-awaited return of the French Algerian choreographer Rachid Ouramdane to New York. nyti.ms/3rXCQl1

Watching Geoff Sobelle eat an apple in FOOD at the BAM Next Wave Festival, you feel like you’re watching something illicit. Like the Fall replayed as the start of a midnight food binge — and aren’t they really the same thing?

Raven Jackson’s All Dirt Roads Taste of Salt is such a hopeful thing. It trickles down a life, stringing together moments of sadness — never wholly sad because there is always someone to share them. The frame is so tight it feels like one person, not two: a shared body feeling

After spending a few weeks fact-checking Roth quotes, my search history is full of porn, but my brain is full of Hannah’s beautiful sentences. They're shocking even when you read them for the seventh time.

I think what Yorgos Lanthimos understands about Frankenstein is that we’re all playing both roles always—we’re a bunch of mad scientists experimenting on ourselves #poorthings

Faye Driscoll’s Weathering at New York Live Arts is like a rotting fruit bowl made of humans (in a good way!)

If your brain was also a time capsule for the history of humanity -- every famous painting, every bit of news footage -- and you mistook all of it for yourself. And of course we do, all of us. You see someone walk on the moon and forget it isn't you.

Sarah Gancher's Russian Troll Farm is like an episode of The Office with a sprinkle of caviar. We chatted about Russia, comedy, and the stories that trap us for The Brooklyn Rail Vineyard Theatre brooklynrail.org/2024/02/theate…

"A generation that is genuinely assaulted by horrors will want its culture to change those horrors." —rupertgoold The director muses on his fascination with trauma, generational tragedy, and his nightmarish play, THE HUNT, showing at St. Ann's Warehouse. bombmagazine.org/articles/ruper…

I talked with rupertgoold for BOMB Magazine about tragedy, thrillers, hiding, his most recent play, and why he finds dangerous situations amusing. bombmagazine.org/articles/2024/…

From the pen of Matthew Zipf! "For a while, Adler used a rubber band to hold the braid in place. But a band tears at the roots, which is especially harmful to hair thinning with age. Nothing holds the braid in place now. Just friction, inertia, and renewed weaving."

Spread the word: This Saturday at 12 PM ET/9 AM PT WNYC 🎙’s The Brian Lehrer Show and A Daily Politics Podcast will go LIVE on radio stations across the country to bring you coverage of #MarchForOurLives. Going? Take us with you! Share what you’re feeling and seeing by dialing 1-844-745-TALK.

Between now and passover, Al plans to grind 6,000 pounds of horseradish. "By the end of the day, you can feel the enzymes burning your skin." wnyc.org/story/wow-s-ho…

Her first day on the job, another taxi driver told her to get off his turf. In 1950 black taxi drivers weren't allowed to pick up passengers downtown. Gertrude Jeannette tore his fender off. nytimes.com/2018/04/26/obi…