Jim Kroft (@jimkroft) 's Twitter Profile
Jim Kroft

@jimkroft

🎵 Musician releasing 12 songs in 12 months. 🎬 Behind-the-scenes of the music industry. 🚀 Chronicling my creative comeback. Active on YouTube. #creatives40+

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linkhttps://www.youtube.com/@jimkroft calendar_today09-04-2009 15:32:28

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This year I'm improving: Thinking to Doing to Completing. What's helping me is to be dogged about doing the small stuff. Smashing the resistance. Earning the To-Do ticks. Buying back time for that which must be at the centre: Creativity.

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Inspirational Quote: "And the day came when the risk to remain tight in a bud was more painful than the risk it took to blossom." - Anaïs Nin.

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One of my biggest breakthroughs as a freelancer was assigning tasks to physical spaces. Not time blocks. Not apps. Places. “Ah—this is where that work happens.” It radically reduced decision fatigue and mental clutter. Rule: one space, one type of work. Studio = creation. Desk =

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The 18-Hour Mission: Steve Jobs didn't think in quarterly plans. He thought in 18-hour windows. Kevin O'Leary describes Jobs' approach in the 90s: Signal wasn't some distant milestone—it was the 3-5 things that had to get done before he slept. Not next week. Not when he "found

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In our creative life we meet resistance. Over and over it manifests in a simple experience: Do I feel like doing this or not? The paradox is that you often choose not to do it, even though your deeper self wants to. There is a gap between wanting to do something and actually

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The project has entered its third year. Anyone who is working on a long-term project knows that you can find yourself feeling out of place and time in a "content-driven world". However, work with great value takes time. And the thing is: That time becomes your story. The project

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How Steve Jobs Actually Got Things Done: Most people drown in noise, thinking it's work. Noise is what feels urgent but makes no material change to your life. Signal is the frequency that moves you forward to an intended outcome. Jobs understood this better than anyone. He

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I've been experimenting with using real footage and integrating it with the latest AI video models. Looking forward to going in deeper, but here are some early results - yes, features Tom Cruise, Rocky Balboa and an epic Skeleton, I know, I know, sometimes having too much fun

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The song "Cosmic Skeletons" will be one of the single from my upcoming album "Chromatic Zero". It's really a wonderful meditation on what it means to be alive - that is, animated stardust in a temporal form. Somehow the music video is trying to become some type of gothic

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Sometime you have to let it all go to actually get to "the thing itself". What are you willing to give up to get to your own source?