Baleners de Nantucket per al Revista Lletraferit més mariner. Amb Jessica.Boyall

I wrote (fairly critically) on Meeting the Man: James Baldwin In Paris for @NotebookMUBI which is streaming for free for the next couple of days on MUBI

"[James] Baldwin’s characteristic tenacity finds its way into MEETING THE MAN and, when combined with [Terence] Dixon’s dogged insistence on his own artistic vision, the result is a palpable tension..." writes Jessica.Boyall for @NotebookMUBI:mubi.com/notebook/posts…

Jessica.Boyall @NotebookMUBI Over on NTS Radio, listen to a special 2-hour set featuring James Baldwin’s favourite jazz records ⟶ nts.live/shows/guests/e…

For @NotebookMUBI I wrote on Amos Vogel on the occasion of New York Film Festival retrospective. Also taking this as a chance to recommend the newly-revised Film as a Subversive Art TheFilmDesk @htshell which is amazing...

On the occasion of New York Film Festival's #NYFF59 retrospective, Jessica.Boyall looks back at the influential work of film programmer, critic, and educator Amos Vogel, founder of Cinema 16 and author of "Film as a Subversive Art." @NotebookMUBI mubi.com/notebook/posts…

@NotebookMUBI New York Film Festival Jessica.Boyall A great read Jessica -- and wonderful to see how in 2021 #AmosVogel legacy lives on in writing and programming. Check out @filmmuseumwien tribute in our ongoing "Amos Vogel Atlas" series and our upcoming Viennale show filmmuseum.at/en/amosvogel

MONDAY MEMO (Jordan M. Smith's 300th!): 42nd News & Documentary Emmys winners, LGBTQ+ doc I am Samuel Documentary banned in Kenya, rj cutler to receive Critics Choice Awards Pennebaker Honor, MIT OpenDocLab introduces fall fellows, Jessica.Boyall revisits 'Film as Subversive Art' & more mailchi.mp/docnyc.net/mon…

Nice to be included in this Criterion Collection piece on Vogel

For Third Text Journal I reviewed the Rita Keegan Archive Project exhibition at the South London Gallery (South London Gallery). Very grateful to Rita for speaking to me, to Goldsmiths Press for providing a copy of the brilliant Mirror Reflecting Darkly and to Richard Dyer for publishing...

"The new clause [Clause 9] would remove the need for notification altogether in a range of circumstances. It would also appear to be capable of being applied retrospectively..." Dangerous beyond belief. theguardian.com/politics/2021/…

Top 10 of this year's most read pieces — no.3: Jessica.Boyall on the logbook art of 19th-century whalers: buff.ly/2XAA95Y (See the full Top 10 here: buff.ly/3euzDyV)

When people ask me about the state of clubs and music subcultures in London, in the face of the whirlwind of turbo-gentrification we've seen in the last 20 years, one of very few bright sparks I always point to is ORMSIDE PROJECTS in Bermondsey

Happy to be presenting at Visible Evidence today in Gdansk

Last days of Bo Wang at LUX

Fabulous feature in The Guardian on the ‘People Make Television’ exhibition opening this wknd at Raven Row Was a pleas to contribute with a new essay on Open Door and Black community programming for the exhibition publication. A fantastic archive of work .theguardian.com/media/2023/jan…

A huge pleasure + honour speaking to Imruh Bakari about his film Mark of The Hand (1987), Aubrey Williams, and Ceddo Film and Video Workshop. Thank you to TANK for the invite + October Gallery for introducing me to Aubrey's work in the first place!