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This is WIN Library in Epworth, established by Zimbabwean writer Bevan Tapureta to serve his community. It's mostly used by local school children as a quiet space to do homework. Bevan has resisted more profitable suggestions to rent out the space to lodgers. #libraries #books

We are extremely pleased to announce the longlist for the 2024 Oxford-Weidenfeld Translation Prize. Congratulations to all longlisted translators!

Some Zimbabweans drink up to three or more cups of tea a day. Many tea drinkers believe that they can’t live without taking a sip or two of the popular beverage per day. As the world marks International Tea Day, in Bulawayo, locals held tea parties to discuss many issues.

'Specifications for a Reverse Archaeology' Weds 5 June The Africa Centre JavettUP AfOx Oxford School of Archaeology SOAS University of London UCL Institute of Archaeology Tinashe Mushakavanhu Film Screening and Discussion of 'Specifications for a Reverse Archaeology' | TORCH | The Oxford Research Centre in the Humanities

British Centre for Literary Translation's Cecilia Rossi will be at Oxford Translation Day on 15 June to discuss 'Translation and Decolonisation' alongside Sawad Hussain, Kavita Bhanot and Tinashe Mushakavanhu. This panel discussion will be chaired by Mohamed-Salah Omri buff.ly/3VtxppN

We are joined by Tinashe Mushakavanhu Tinashe Mushakavanhu, writer, editor, and co-founder of Harare-based creative agency and press Black Chalk and Co, interested in new forms of publishing and creative production. He is a researcher in African and Comparative Literature St Anne's College.

On Friday, ahead of #OxfordTranslationDay, we will take over Curio—in the vault of Common Ground—for a conversation + zine-making on what happens when translation leaves the printed page and enters the bookshop w/ Nick Hagan and Tinashe Mushakavanhu. 14 June, 6PM! 📖 eventbrite.co.uk/e/found-in-tra…

The English translation of Scholastique Scholastique Mukasonga's novel KIBOGO won the Oxford-Weidenfeld Prize! The @OxfordCTT prize was awarded to translator Mark Polizzotti for the 2023 @DauntBooksPub edition of KIBOGO. Congratulations to Polizzotti and Mukasonga! buff.ly/4eVi9JW

We're excited to announce our Visiting Research Fellows for 2024 - eight artists and art historians from around the world who will be travelling to Leeds to spend some time in the Sculpture Research Library and Archive of Sculptors' Papers at the Institute developing their work.

The book based on our project Disruptive Dialogues about poet, novelist & general disruptor Dambudzo Marechera is here! It was edited by Tinashe Mushakavanhu & Niall Munro and designed by Julia Utreras. x.com/NiallMunro/sta…

Podcasts bring southern Africa's liberation struggle to life – thanks to an innovative new audio archive theconversation.com/podcasts-bring…

WhatsApp novelists use messaging app to write and sell books in Zimbabwe aljazeera.com/features/2024/…

Hear Tinashe Mushakavanhu reading #DambudzoMarechera 's poem 'Oxford, Black Oxford': instagram.com/reel/DBq3YR3tX…

African publishing is being revolutionised – report explores trends in six countries theconversation.com/african-publis… by Tinashe Mushakavanhu via The Conversation Africa

Such a beautiful tribute from Gibson Ncube on the contributions of Pathisa Nyathi theconversation.com/zimbabwes-publ…

The Deep South website and archive; a heart of our contemporary moment, all together, is now launched. 🗝️: deepsouth.co.za

[WATCH] Gcina Mhlophe, the renowned South African author, playwright, and performer, on the importance of mother tongues and cultural diversity.

New! Jennifer Guiliano and I are please to share the February issue of #ReviewsInDH, “Mapping Black Radical Joy” from African and African Diaspora topic editors @ChericeEJones and Tinashe Mushakavanhu. reviewsindh.pubpub.org/v6-n2

“The image of African liberation tends to be men in suits. And yet a smiling Blouin can be seen with them, side by side, even addressing large crowds.” theconversation.com/africas-newest… by Tinashe Mushakavanhu via The Conversation Africa

"What Takadiwa is building is not just an arts centre – it’s a new model space rooted in history and responsive to the present. The site itself becomes an ongoing installation, activated by artists, curators and the community.” Thank you ⁦Tinashe Mushakavanhu⁩ theconversation.com/mbare-art-spac…