🚨 OUT NOW! Bill Moseley (Bill Moseley), best known for his iconic roles as Chop Top in ‘The Texas Chainsaw Massacre Part 2’ and Otis B. Driftwood in Rob Zombie’s ‘House of 1000 Corpses’ trilogy, joins us in the Crypt to discuss behind-the-scenes details of his most notorious

🚨 OUT NOW! Kane Hodder, legendary actor and stuntman behind Jason Voorhees and Victor Crowley, joins us in the Crypt for Episode 13! From his love of the number 13 to almost playing Freddy Krueger, Kane shares never-before-heard stories that made him into a horror icon. Tune in

I colorized these photographs of Ed Gein for an upcoming episode and thought the results were too incredible not to share. It’s fascinating how these events have always been seen in black and white, but with advancements in technology, we’re able to see different dimensions of

🚨 OUT NOW! Joe Coleman, the iconic artist whose work digs into the darkest corners of human existence, joins us in the Crypt to discuss everything from painting serial killers like Carl Panzram, Albert Fish, and Ed Gein, to sharing the secrets of his controversial art. Join us

Happy Halloween, spooky kids! This day has started it all for so many of us, where the veil between the spirit realm and ours is at its thinnest. Stay safe and eat lots of candy! P.S. — Episode 16 with Tom O’Neill is being delayed. We talk a lot about individuals on the

🚨 OUT NOW! Investigative journalist and author of CHAOS: Charles Manson, the CIA, and the Secret History of the Sixties, Tom O’Neill, joins us in the Crypt to unravel one of the darkest and most twisted chapters in American history–one that is still actively being covered up.

Episode 19 with the incomparable Adam Green is out now! One of my favorite conversations yet — 3 hours of gory, hilarious, and unfiltered deliciousness. 🪓 WATCH: youtu.be/vCAj0uiaKT8?si… - #talksfromthecrypt #adamgreen #hatchet #victorcrowley #horrorpodcast #filmmaking

Dream guest unlocked. The Halloween Queen herself joins Talks from the Crypt in 4K 🎃 Danielle Harris talks surviving child stardom, stalkers, slashers, and all the horror. OUT NOW. WATCH: youtu.be/FDFPtLr_y0c

"A man goes to the movies and the critic must be honest enough to admit that he is that man." "One of the purposes of journalism is to CHALLENGE that kind of thinking. And certainly one of the purposes of criticism is to break boundaries, it is also one of the purposes of ART."

*insert the most standard take you’ve ever fucking heard*

Whoah! Another headline from the show! No wonder I saw a huge uptick in views. cbr.com/danielle-harri…

The shit I get for defending Rob Zombie is truly insane. It’s a hill I’m willing to die on though. This cult mentality where if a big enough group hates somebody, then everyone has to join or you’re not a “true horror fan,” it’s exhausting. And honestly, the opposite of what this

new merch is loading…what should we call this one? the crypt-o-rama dome? 🎃 #cummingsoon #talksfromthecrypt

Oh, I need this!

TFTC MERCH UPDATE: Because of all the different size requests, we'll be running a LIMITED PRE-ORDER on the Crypt-O-Rama Dome t-shirts. This way, we can lock in everyone's exact size without the risk of overordering or underordering. ⏳ Pre-orders will be open for ONE WEEK only

What an honor it was to sit down with an absolute legend who’s made some of my favorite films- Dream Warriors, The Blob, The Mask, Bless The Child, and many more. 3 hours with the MAN, writer/director Chuck Russell, is OUT NOW! Watch: youtu.be/MQkj7FwsLv8

Something spooky comes your way 👻 HALLOWSTREAM on 10/31 @ 4PM on our YouTube! SAVE THE DATE.

My 2¢: I don’t think John Carpenter genuinely hated The Substance. I think he was mocking how horror culture has flipped, how it used to celebrate individuality, but now it’s become a big bandwagon driven cesspool of influencers and Letterboxd reviews. When a movie hits, it

This was a fun one. Joe Lynch is someone I’ve had the pleasure of becoming good friends with since our last Vegas soirée a couple months back, and man, this guy’s encyclopedic knowledge of film and horror is unreal. We get into the highs and lows of directing, the reality of