#ArtBaselMiamiBeach2019 #geminigel Booth B8 #juliemehretu #danielburen

Happy Birthday to #BruceNauman born this date 1941! #geminigel Bruce Nauman Cockeye Lips from Infrared Outtakes, 2006 Photographed by Jack Fulton (1968) Epson UltraChrome K3 inkjet print

Happy Birthday to #LarryBell, born on this date 1939! #geminigel Larry Bell Assembled Relief, 1988 Part of a series of unique works with watercolor and vapor drawings on cast paper

Gemini G.E.L. is pleased to present Richard Serra's new Composites series, featuring twenty-two editions combining etching ink and Paintstik. Composite XIII, 2019 #richardserra #geminigel

Happy Birthday to #FrankGehry! #geminigel Frank Gehry working at Gemini G.E.L., 2003 Photograph © 2003 Sidney B. Felsen, Frank Gehry Puzzled #4, 2013

Gemini G.E.L. will be temporarily closed starting March 16th in an effort to help contain the spread of COVID-19. Our staff is available by email. We will provide ongoing updates as we continue to monitor the situation, and we hope that you remain safe and healthy.

Wishing everyone good health and we hope to see you soon. Roy Lichtenstein, The Den, 1991, 7 color woodcut/screenprint, edition of 60. . #saferathome #lichtenstein #geminigel

“Art is a powerful source of fact and joy.” —Robert Rauschenberg, 1991 ______________ Robert Rauschenberg working at Gemini G.E.L. in 1998. Photograph © 1998 Sidney B. Felsen —————— #artistoftheweek #geminigel #robertrauschenberg

“Ideas can be cracks in the stone” —Robert Rauschenberg, 1969 1) Rauschenberg with litho crayon and stone, working on the Stoned Moon Series. Photograph © 1969 Sidney B. Felsen. 2) Robert Rauschenberg, Score, 1970, 3 color lithograph, edition of 75 #geminigel #rauschenberg

"My work is more about asking questions than finding answers.” —Analia Saban, 2017 Analia Saban signing the Broken Vase series at Gemini, 2016. Photograph © 2016 Sidney B. Felsen. #geminigel #analiasaban

"Sometimes I like to start a project because of a tool or a machine that I discovered. I like to have a lot of dialogue between machinery.” -#AnaliaSaban Printers Case Hudson, Amy Jo Toucey and Oliver Dewey in the etching studio. Photograph © 2016 Sidney B. Felsen. #geminigel

"I found art to be the place where I could do whatever I wanted and combine everything, and I still have that mindset." —#AnaliaSaban Saban and printer Amy Jo Toucey in the studio at Gemini. Photograph © 2017 Sidney B. Felsen. #geminigel #artistoftheweek

Happy Birthday to #JasperJohns, who turns 90 today! Jasper Johns, Untitled, 1992, 8 color lithograph, edition of 74. #geminigel

“It’s always about reconsidering the order of things and asking where these patterns come from. Sometimes images that come from architecture are so present that we stop really looking at them.” —#AnaliaSaban Analia Saban at Gemini, Photograph © 2017 Sidney B. Felsen. #geminigel

"I'm not interested in edges. I'm interested in the mass and color, the black and white. The edges happen because the forms get as quiet as they can be.” —#EllsworthKelly Ellsworth Kelly at Gemini, Photograph © 1978 Sidney B. Felsen. #geminigel #artistoftheweek

Susan Rothenberg, 1945-2020. Susan in the Gemini lithography studio, 1986. Photograph © 1986 Sidney B. Felsen.

"My first lesson was to see objectively, to erase all "meaning" of the thing seen. Then only could the real meaning of it be understood and felt.” —#EllsworthKelly Ellsworth Kelly during the proofing session for St. Martin’s Triptych, Photograph © 1984 Sidney B. Felsen #geminigel

"My work is made of single or multiple panels: rectangle, curved or square. I am less interested in marks on the panels than the "presence" of the panels themselves.” —#EllsworthKelly Ellsworth Kelly, mid-1970s. Photograph © Sidney B. Felsen. #geminigel #artistoftheweek

We are remembering #JohnBaldessari, who would have turned 89 today. Happy Birthday, John! _________ John Baldessari, 2010. Photograph © 2010 Sidney B. Felsen. #geminigel

David Adjaye on Julie Mehretu: “Her art holds qualities of memory, history, global mobilities, inequities and sense of place, but through a universal lens” #TIME100 ti.me/32VRjOW